Highway 61
Revisited
I have experienced some extreme weakness of some 3 years old Rodinal although kept in a dark, dry, cool place. That was the exact same Rodinal as the one you displayed on post #33. Like gb hill's one, mine had turned into a burnt reddish stuff and I could see some solid particles on the interior surfaces of the bottle. The films came out very severely underdeveloped. Yes all the parameters were good, yes I had used more than 5ml of pure Rodinal to prepare the diluted solution at the last moment.
This is why, for domestic use, and low quantity of films processed a month, and given that we should all be concerned with not wasting chemicals, powder developers sold in small pouches are a better solution when seen from my window.
Not everyone has the time to make tests and a densitometer available at home.
Especially if you think that any obvious rendition differences between Rodinal (& all its clones) and, say, fresh D76 1+1 very properly used are still to be clearly demonstrated on most of the classic ISO 100 35mm films we now find on the market (FP4+, Kentmere 100, Ilford Pan 100, Fomapan 100, old stocks of genuine APX100, and all that Rollei/Adox/Maco stuff of mysterious origins and specs).
I won't speak of ISO 400 films here, not to light any fire. 😉
I recently wet printed some 8x11" FB sheets off a Fomapan 100 35mm roll developed in D76 1+1 : the blacks are dense blacks, the whites are white yet not blown out, the acutance is extremely high, the resolution is stunning with lots of details. And it was shot using an old Nikkormat FTN and its built-in meter, and an as old Nikkor 50mm f/2.
Although this superb film is said to be at its best in Rodinal 1+50, I don't think that I could have got better results using whatever else than what I routinely used to develop it.
This is why, for domestic use, and low quantity of films processed a month, and given that we should all be concerned with not wasting chemicals, powder developers sold in small pouches are a better solution when seen from my window.
Not everyone has the time to make tests and a densitometer available at home.
Especially if you think that any obvious rendition differences between Rodinal (& all its clones) and, say, fresh D76 1+1 very properly used are still to be clearly demonstrated on most of the classic ISO 100 35mm films we now find on the market (FP4+, Kentmere 100, Ilford Pan 100, Fomapan 100, old stocks of genuine APX100, and all that Rollei/Adox/Maco stuff of mysterious origins and specs).
I won't speak of ISO 400 films here, not to light any fire. 😉
I recently wet printed some 8x11" FB sheets off a Fomapan 100 35mm roll developed in D76 1+1 : the blacks are dense blacks, the whites are white yet not blown out, the acutance is extremely high, the resolution is stunning with lots of details. And it was shot using an old Nikkormat FTN and its built-in meter, and an as old Nikkor 50mm f/2.
Although this superb film is said to be at its best in Rodinal 1+50, I don't think that I could have got better results using whatever else than what I routinely used to develop it.