Experience with 1600 color film?

Hi Ronnie.

+1 for the tripod (you know, they make steady lightweight ones nowadays, nothing like the DDR-made birch wood monster that never leaves my house)

Assuming a tripod is not feasible,
> if you can remain comfortable within 640ASA, take Fuji 800, which is cheaper and amazingly good (afaik, any commercial name is the same film, even in single-use cams); it is my standard indoors film
> if you really need the extra push, take Fuji 1600 but don't even come close to under-expose it or you'll get greenish shadows

I understand all this stuff goes into the standard C41 process, just as Kodacolor Gold and Konica Centurion and YouNameItColor. Pushing C41 is not common; don't experiment too much. And don't rely on Frontier scans, all my experiences with fast films have been crappy.

Keep us posted!
 
Thank you very much, everyone, for some extremely helpful responses!

Someone mentioned digital for color - I wish! The only way I see myself going down that road is when they build a digicam as versatile, and as affordable, as my beloved Zorki-1. 😀

I see some people are saying the exact opposite of each other. Since I can't afford shooting test rolls at the moment, I will go with whatever is the cheapest option available to me at the moment. My employer expects the results to be digital and will not pay extra for film-related expenses.

The lovely Manfrotto tripod I use for medium format is too heavy to carry around downtown all day, and probably too bulky to take into the cafés. However, a little tabletop tripod and slower film might be a good idea.

Alec, I'll keep you posted verbally, because they're not letting me publish the pix before the book is out. 😀
 
hoot said:
Alec, I'll keep you posted verbally, because they're not letting me publish the pix before the book is out. 😀
I believe they may, as long as they foot the bill!

Repeat: you can't go wrong with Fuji Superia [or whatever] 800, for prints up to 20x30cm (I never tried bigger, maybe I should!).
 
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