f.hayek
Well-known
The Canon 50/1.4 will seriously desaturate your color images; pastel-like. It's an effect some really strive for, I don't. Always looks like circa 1970 color emulsion whose chemistry has degraded over time. Personally, only use legacy glass like Canon & Nikon LTM with B&W film or Monochrom sensors.
Consider the Zeiss ZM 50/2. Sleeper of a lens.
Has all the things that make Zeiss what it is; solid resolving power, Zeiss "pop", great color. The Zeiss 50/1.5 Sonnar is tricky as it depends what f/stop it's optimized for and then focus shifts at every other aperture until f/8 or so.
But why not splurge a few hundred more and get the Voigtlander 50/1.2? It is a superb lens and outdoes all the fast Red Chinese lenses (TT Artisans, 7 Artisans, Coronavirus Artisans, Intellectualpropertystealing Artisans) without having to adjust it yourself. All the retailers have an ongoing sale ($100 off) that ends soon on this lens.
Consider the Zeiss ZM 50/2. Sleeper of a lens.
Has all the things that make Zeiss what it is; solid resolving power, Zeiss "pop", great color. The Zeiss 50/1.5 Sonnar is tricky as it depends what f/stop it's optimized for and then focus shifts at every other aperture until f/8 or so.
But why not splurge a few hundred more and get the Voigtlander 50/1.2? It is a superb lens and outdoes all the fast Red Chinese lenses (TT Artisans, 7 Artisans, Coronavirus Artisans, Intellectualpropertystealing Artisans) without having to adjust it yourself. All the retailers have an ongoing sale ($100 off) that ends soon on this lens.