I do remember (somewhat vaguely) this photographer's work in American Photo (and, I think, at least one other magazine whose name I can't recall at the moment). It comes off to me as a bit of visual cotton candy: big and bright and sort-of tasty, but then it's gone - not even an afftertaste. She's obviously got technical chops to burn, and she clearly deserves the commercial success she's had thus far. Some of the stuff is quite clever from a commercial standpoint...the sort of thing I might have come across a decade or so ago while leafing through a copy of Interview or Paper. I've seen far worse, and I've seen far better (the late Helmut Newton, whose work once scared the willies out of me, suddenly comes to mind – commercial and edgy and witty all at once, and boy, do those images linger in the mind, love 'em or hate 'em). Kawakita's work certainly fits in the middle somewhere.
- Barrett