ruby.monkey
Veteran
Hmmm. I may have been unlucky but I bought three of those a few months back. They went straight into the bin. Build quality was, shall we say, somewhat less than optimal - holes not round, edges rough and still showing tool marks, and in one case a deep scratch that looked like the hole cutter had slipped. I wouldn't even have stuck 'em to my Werramatic.
I should really have tried to return them for a refund, but I'll admit that I threw them away in disgust instead of using my brain.
Debusti Paolo
Well-known
Debusti Paolo
Well-known
I really like your camera!!!!repainted by...???I'm using a Zhou Case. They are around $60 and I really like it.
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Chuck Albertson
Well-known
Quite a long time ago, Bill Pierce described a system he used (maybe he still does) for keeping track of film in multiple camera bodies, using 3/4" color-code dot labels you can buy in office supply stores (Avery and Post-It make them, among others). You stick a label for the appropriate film on the top deck of the camera---green labels for Tri-X/HP5+, red for Kodachrome, blue for E-6 films, etc. Make up your own color scheme. You know what's in a particular camera body at a glance. It's simple, it's brilliant.
I put a roll number on the label, stick it on the camera, and when the roll is finished I peel the label off and stick it on the cassette. If it's color film, when I send it to the lab I peel the label from the cassette and stick it on the lab receipt/shipping label to keep track of what has been sent where.
I put a roll number on the label, stick it on the camera, and when the roll is finished I peel the label off and stick it on the cassette. If it's color film, when I send it to the lab I peel the label from the cassette and stick it on the lab receipt/shipping label to keep track of what has been sent where.
kdemas
Enjoy Life.
The colored dot idea is a good one, though I'd have to pop it on the bottom. I couldn't stand looking at it all day 
I have had the "mystery film" issue on my Nikon RFs, which I do not use that frequently. Currently have "something" in my SP!
Good thread.
Kent
I have had the "mystery film" issue on my Nikon RFs, which I do not use that frequently. Currently have "something" in my SP!
Good thread.
Kent
ruby.monkey
Veteran
I've taken to making sure that a roll of film never sits in my camera long enough that I forget what type it is.
Benjamin
Registered Snoozer
Quite a long time ago, Bill Pierce described a system he used (maybe he still does) for keeping track of film in multiple camera bodies, using 3/4" color-code dot labels you can buy in office supply stores (Avery and Post-It make them, among others). You stick a label for the appropriate film on the top deck of the camera---green labels for Tri-X/HP5+, red for Kodachrome, blue for E-6 films, etc. Make up your own color scheme. You know what's in a particular camera body at a glance. It's simple, it's brilliant.
I put a roll number on the label, stick it on the camera, and when the roll is finished I peel the label off and stick it on the cassette. If it's color film, when I send it to the lab I peel the label from the cassette and stick it on the lab receipt/shipping label to keep track of what has been sent where.
I didn't know anyone else did this, but that's what I was going to suggest. Works fine, easier than putting a peice of card in the hot/cold shoe, though that can help if you have a loose finder foot.
lewis44
Well-known
I really like your camera!!!!repainted by...???
Robert J "digitalintrigue" on this forum. His Site is:
http://www.rangefinderrestorations.com/Welcome.html
Great guy to work with.
shadowfox
Darkroom printing lives
Nobody use the notepad in their iphone or black/blue/red-berry?
My wife gave me an old iphone and that's pretty much what I use it for besides the phone.
My wife gave me an old iphone and that's pretty much what I use it for besides the phone.
joncapozzi
Newbie
The only film my M2 has ever seen has been Tri-X. Outside of the test roll I had to shoot c41.
alart
Member
Quite a long time ago, Bill Pierce described a system he used (maybe he still does) for keeping track of film in multiple camera bodies, using 3/4" color-code dot labels you can buy in office supply stores (Avery and Post-It make them, among others). You stick a label for the appropriate film on the top deck of the camera---green labels for Tri-X/HP5+, red for Kodachrome, blue for E-6 films, etc. Make up your own color scheme. You know what's in a particular camera body at a glance. It's simple, it's brilliant.
I put a roll number on the label, stick it on the camera, and when the roll is finished I peel the label off and stick it on the cassette. If it's color film, when I send it to the lab I peel the label from the cassette and stick it on the lab receipt/shipping label to keep track of what has been sent where.
nice idea! I will try to organize myself.
Beemermark
Veteran
Great idea, except for us old guys how do you remember what the color code means -Quite a long time ago, Bill Pierce described a system he used (maybe he still does) for keeping track of film in multiple camera bodies, using 3/4" color-code dot labels you can buy in office supply stores
Actually I have two M7 bodies and simply by checking the film speed when I turn on the camera I do a double check to make sure what film I have. Rarely is B&W speeds the same as the color film I use.
jke
Well-known
I don't use the auto ISO on the M7. That way I have to think before I stuff a new something into the camera. No guarantees I'll think but whatever. I also try to shoot up what's in the camera. Some of my best shots (in my humble opinion) have come from those last 4 or 5 shots that I've done to finish a roll. Let that be a lesson to me I guess.
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