Lax Jought
Well-known
Setting the iso on your metered camera to something other than box speed to "trick" the meter to over or underexpose.
The ISO used to be the domain of film speed you put into your camera back in the film days, wasn't it?
Setting the iso on your metered camera to something other than box speed to "trick" the meter to over or underexpose.
haha thanks. So in other words though, it does affect the overall tone of the RAW file.
What was the equivalent of the exposure compensation function back before digital cameras existed?
Here's the problem with histograms. 🙂
Your camera is using the camera's internally generated jpeg to provide that histogram on the back of the camera, whether you are shooting RAW or not. "Shoot to the right" viewing the histogram with that default jpeg setting and you are going to get bad exposures.
If you have an exposure that delivers a balanced histogram and then you underexpose, you shift your histogram to the left. The result is that everything gets a little grey and colors look a bit muddy.
I think compensation is useful, when you think you meter might get fooled by the lighting condition.
It was exposure compensation.
The +- EV dials have existed on cameras since the early 1970's and became commonplace in the late 70's, early 80's.
Phil Forrest
After one year without M8 i'm back and now I really love it. Colors and high-iso performance were the main reasons for selling it (of course I used a filter). The need for rangefinder feeling + digital and lack of money for M9 were the reasons to come back.
The main reason for bad colors before was the constant dialed in exposure compensation of -2/3. I once read this in a forum (maybe here) that this is a must to prevent from blown highlights.
However, I would love to hear more about you post processing method to get better high-iso performance in Aperture 3. Coming from a R-D1s, I really got somewhat disappointed with the M8's performance at ISO 640 and above.
thanks in advance!
As a new M8 owner, I really appreciate your suggestions to get accurate colors, even though I am happy with the colors so far.
However, I would love to hear more about you post processing method to get better high-iso performance in Aperture 3. Coming from a R-D1s, I really got somewhat disappointed with the M8's performance at ISO 640 and above.
thanks in advance!