dreilly
Chillin' in Geneva
- Local time
- 11:26 AM
- Joined
- Dec 25, 2004
- Messages
- 1,045
Well, my dark room is up and running! Actually, it's the college's dark room, but it hasn't been used in ten years. So mine, all mine!
The diafine process is mucho easy. The hardest part was loading the bloody reels. The plastic reels were hard enough. I tried practicing on a stainless steel reel...yikes! I know there's a page with a tutorial on loading those things, I'll have to check it out.
Anway, here's Neopan 400, shot at 640 in a Rolleiflex Automat with Xenar lens.
I sold one of these recently, then quickly regretted it, and bought another for side-by-side trials with the Autocord Karl Bryan sent me. You can see the autocord in the photo there. I took a similar roll with that camera, but didn't have room in the tank. So I put in a drawer (on a reel) and then later needed the scissors. Doh! Fogged film! The tests go on.
These aren't really art, just technical tests, though I do like the self-timed self-portrait.
Thanks to everyone here who helped me get this darkroom up and running!
The diafine process is mucho easy. The hardest part was loading the bloody reels. The plastic reels were hard enough. I tried practicing on a stainless steel reel...yikes! I know there's a page with a tutorial on loading those things, I'll have to check it out.
Anway, here's Neopan 400, shot at 640 in a Rolleiflex Automat with Xenar lens.
I sold one of these recently, then quickly regretted it, and bought another for side-by-side trials with the Autocord Karl Bryan sent me. You can see the autocord in the photo there. I took a similar roll with that camera, but didn't have room in the tank. So I put in a drawer (on a reel) and then later needed the scissors. Doh! Fogged film! The tests go on.
These aren't really art, just technical tests, though I do like the self-timed self-portrait.
Thanks to everyone here who helped me get this darkroom up and running!