Hi,
Is it me or was the first link you gave to flikr showing a portrait done with an ex-USSR Jupiter lens? and the second with a Leitz lens?
BTW, I didn't see anything special to the lens in either but the film and previous/subsequent actions (exposure, development etc) have affected them and given them that look.
Back to your choices; obviously the M2 because of the only other lens you've mentioned being 35mm. And do look at the Leitz glass in f/2.8 as well as f/2. Everyone of us has wanted an f/1 lens at times but we mostly manage without. The same could be said for f/2 and, FWIW, I own lenses from f/1.4 upwards and have a very good idea (from looking at my notes) of how often I need f/2.
Lastly, most of the lenses mentioned have been elderly and would, therefore, be second-hand. So build into your budget the price of getting them checked and perhaps adjusted. People have been known to drop lenses and lie when selling them. The XA you mentioned sounds to me like a case in point...
Regards, David
PS Although you mention QC issues with ex-USSR lenses the fact remains that there appear to be a lot of QC issues with other lenses recommended here. But as usual ex-USSR glasses are seen as half empty and other as half full. I find that very odd, especially as I often use the Jupiter-8 (a Sonnar copy in a 39mm screw mount) with an adapter in my M cameras.
The first one was a Jupiter 3, a Sonnar design. The second one, the more modern ZM Sonnar. At this focal length/ speed, there is the Canon 50mm f1.5, Nikkor 50mm f1.4/f1.5, and the ofcourse the original Zeiss 50mm f1.5.
It's very possible that the lens may not be that special and it's just craze, but the bokeh just looks so much smoother to me. This may be in my head too
🙂. The second one is at f2 so it isn't just thin DOF, I don't think. But you're probably right in that, it has a lot to do with exposure, film, etc.
I shoot a lot of available light/indoor pictures and I need atleast one f2 lens. If I decide to stick with Leitz, then I figured that I can go 50mm f2 and a slower 35mm. I feel that f1.4/f1.5 can be too thin at times.
You're right in that I shouldn't overlook getting the lenses checked out/adjusted, I didn't really think about that too much. I'm going 2nd hand. And I'm going to atleast go with people on this forum who have a reputation or keh.com but with these old lenses, even that isn't always enough.
About the XA. There was nothing wrong with the camera per se, it was the design that I didn't like mostly. It was too small, unergonomic, light and automatic for my liking. I was fine with the patch and lens. They weren't Leica/Bessa quality, but I didn't expect them to be.
The USSR glass is controversial. It's a love/hate thing. I never tried them, but dismissed them solely because I didn't want to take a gamble with the QC and I figured that they'd be harder to sell if I didn't like them. Maybe I'll eventually some out and realize that they're the best lenses that I've ever owned.
As for Zeiss vs Leica vs CV vs Konica vs LTM. I'm beginning to think that it doesn't really matter. I'll have to try some out and see which ones I like and which ones I don't. Some are just complimentary. Obviously some people prefer Zeiss; others, Leica; etc. Some are probably technically better than others but technically better isn't everything...