In fact Pacemaker Graphics are set up with the fresnel from the factory. If it is not there, then one has to fabricate a spacer to put the ground glass at the film plane.
Properly set up Graphics make fine images whether focused from the ground glass, the focus scale, or the rangefinder. But it all starts with a properly set up ground glass. Once that is properly set up you then set up the scale focusing, and then the rangefinder focusing. Those set ups hold nicely, and you should not have a problem again unless someone gets in there and "fixes it".
Once the GG is set up the only other thing that is not pretty obvious is that infinity is not with the rack all the way back. Because the camera is wood, and thus has a tendency to swell and shrink a bit, the camera is properly set up with infinity set with the rack about 1/8" (3mm) forward. That also allows for the adjustment hat the RF needs.
There is nothing really difficult to setting up the camera, it is just that so many were "fixed" by someone without a clue.
Once you know which way the GG/Fresnel sandwich goes in, and about the 1/8" of slack, everything else usually falls into place unless there is actual damage.
Most plastic "Graphic" film holders will be in close enough tolerance for commercial work. Old wood film holders may not. "Graflex" holders will not work correctly at all, they will not seat properly.
I have read that the factory had focusing target a 100' and 6' to set up the camera. The Kalart (sidemount) RF also needed a target at 15' to verify the setup.
There is more info out there & more people using press cameras than there was when I set up my webpages about them. Back then there was only graflex.org and a couple of collector sites, and nothing about using a press camera as they were originally intended to be used, as most people that bought them wanted a cheap view camera.
Yours looks like a nice clean camera. I hope you get it working and have a lot of fun using it.