esearing
Established
Last year I started shooting my 4x5 with film after a several years break to digital and I started enjoying the darkroom experience over computer processing. With 4x5 I may only shoot 4-8 images in a day so I thought I would find a nice little camera to take along with small lenses for the extras.
After a few months I found a Leica M3 made in the same quarter as my Birth date. I added a couple of lenses, a meter, and presto, I had two kits I could carry into the field that wasn't ungodly heavy. Being a slow shooter it took me a couple of months to go through a couple of rolls.
I processed one of the rolls the other day and even made a contact sheet. The images look so puny to me. They are so small compared to the 4x5 negative/contact or even compared to the basic screen size of digital prints.
While I enjoy using the M3 I do not get the satisfaction I do with the larger formats. Is it just me? I imagine ULF shooters feel the same about 4x5 format negatives.
Also first roll jitters are apparent.
5 overexposed (first few on the roll)
8 underexposed
2 not focused
2 lens cap shots
1 what the heck is that
and maybe 1 keeper on the roll
After a few months I found a Leica M3 made in the same quarter as my Birth date. I added a couple of lenses, a meter, and presto, I had two kits I could carry into the field that wasn't ungodly heavy. Being a slow shooter it took me a couple of months to go through a couple of rolls.
I processed one of the rolls the other day and even made a contact sheet. The images look so puny to me. They are so small compared to the 4x5 negative/contact or even compared to the basic screen size of digital prints.
While I enjoy using the M3 I do not get the satisfaction I do with the larger formats. Is it just me? I imagine ULF shooters feel the same about 4x5 format negatives.
Also first roll jitters are apparent.
5 overexposed (first few on the roll)
8 underexposed
2 not focused
2 lens cap shots
1 what the heck is that
and maybe 1 keeper on the roll