Roger Hicks
Veteran
Exactly, and I have never quite seen how it can be otherwise.sitemistic said:Photographers aren't one dimensional. And, political and social views shape our photography.
As I said, I did not originally post this as a political thread, just as an example of what one might call traditional and powerful photojournalism. On the other hand, the aim of photojournalism is seldom to glorify war, poverty and the other things is illustrates.
On reflection, I think I'd still have posted the link, even given the likelihood of political discussion, because the pictures need to be seen and one of the reasons they need to be seen is to help us understand politics and history.
To view them exclusively as 'powerful pictures' would be voyeuristic, shallow and disrespectful, and to ignore powerful pictures because they don't suit someone's (anyone's) politics is hard to defend from any viewpoint, photographic, historical, aesthetic, or any other. A lot of nazi propaganda embodies aesthetically brilliant photography: so look at it, try to see how it works, which strings they are pulling, and what it makes you think about.
This would apply equally to pro-Taleban pictures (assuming they can have them -- I'd have thought that the prohibition about making images might be relevant). A free press, after all, is not just 'the press we like'; it's also the press we don't like, that makes us feel uncomfortable, and that rouses us to do something about the message it conveys (be it support or opposition).
Finally, I'd have thought that most of the comments on war in this thread have been reasonably grown-up, analytical, historical and non-partisan. How far do you try to suppress that, in order to suppress a few strident viewpoints?
Cheers,
R.
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