Erik van Straten
Veteran
Thank you, Pan.
Erik.
Erik.
Canyongazer
Canyongazer
Clicked the link to see the most beautiful camera.
Bit of a let down.
Rather brick-like in an Argus C3 way.
IMO, the Contax G2 is more appealing as an object d'art.
Bit of a let down.
Rather brick-like in an Argus C3 way.
IMO, the Contax G2 is more appealing as an object d'art.
Erik van Straten
Veteran
Somehow the Nikkor 5cm f/2 works best on the camera.
Contax I/Nikkor H 50mm f/2/TMY2-400/AdoxMCC110.
Erik.
Contax I/Nikkor H 50mm f/2/TMY2-400/AdoxMCC110.
Erik.

Vince Lupo
Whatever
Erik van Straten
Veteran
Vince, this isn't this the version without the "long times"? Much easier to handle - if the camera works - than the later versions.
Erik.
Erik.
Vince Lupo
Whatever
Vince, this isn't this the version without the "long times"? Much easier to handle - if the camera works - than the later versions.
Erik.
I believe so - I managed to find a few more shots of it (I sold the camera kit years ago). I do recall that it had an AU serial number, so I believe it was a 1a. 1 dimple, no foot. It worked just fine.

contax6 by Vince Lupo, on Flickr

contax3a by Vince Lupo, on Flickr

contax5 by Vince Lupo, on Flickr

contax3 by Vince Lupo, on Flickr
Highway 61
Revisited
Just spotted in a portfolio published today by "L'Oeil de la Photographie", a portrait of the model Liz Gibbons as a photographer by Louise Dahl-Wolfe, shot in 1938 (© Center for Creative Photography at the University of Arizona / Courtesy Staley-Wise Gallery, New York).
Looks like Liz is holding a Contax I with a black and nickel 5cm Sonnar f/2 and its original black hood.
Looks like Liz is holding a Contax I with a black and nickel 5cm Sonnar f/2 and its original black hood.
Attachments
Erik van Straten
Veteran
Just spotted in a portfolio published today by "L'Oeil de la Photographie", a portrait of the model Liz Gibbons as a photographer by Louise Dahl-Wolfe, shot in 1938 (© Center for Creative Photography at the University of Arizona / Courtesy Staley-Wise Gallery, New York).
What I see, is this:

Highway 61
Revisited
Thanks for the heads-up, Erik. Looks like "The Eye of Photography" hardly limits the amount of connections to their journal images hosting server thanks to some direct html linking. Go figure.
I have edited my above post and attached the photo to the post for now. But, as a result, the photo is now too small to see the Contax I while it's easy to recognize it on the online hosted large photo.
Anyway, for those who want to see the large version of the online photo, the portfolio is here (but it will be available online for 24 hours only because of the journal policy) and displaying the said image alone will expand it to its largest size on your screen :
https://loeildelaphotographie.com/e...anie-pfriender-stylander-2-women-of-style-pp/
I have edited my above post and attached the photo to the post for now. But, as a result, the photo is now too small to see the Contax I while it's easy to recognize it on the online hosted large photo.
Anyway, for those who want to see the large version of the online photo, the portfolio is here (but it will be available online for 24 hours only because of the journal policy) and displaying the said image alone will expand it to its largest size on your screen :
https://loeildelaphotographie.com/e...anie-pfriender-stylander-2-women-of-style-pp/
Highway 61
Revisited
Well - new attempt below with another direct link to a large version of the photo, hosted online by the Staley-Wise Gallery :
Louise Dahl-Wolfe © Center for Creative Photography at the University of Arizona / Courtesy Staley-Wise Gallery, New York

Louise Dahl-Wolfe © Center for Creative Photography at the University of Arizona / Courtesy Staley-Wise Gallery, New York
Dralowid
Michael
I always thought the ergonomics of the Contax I a bit of a struggle, I didn't realise that this pose was the correct way of going about using this camera.
Erik van Straten
Veteran
A very creative way to use the camera.
Erik.
Erik.
p.giannakis
Pan Giannakis
This way it does not create the picture on the film upside down.
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