amateriat
We're all light!
That's the nice thing about pen fairs when they're held at places like this: you usually have carte blanche to scribble with FPs you likely would not sell off a good portion of your Leica kit to possess.RdEoSg said:I was at another shop yesterday that sells all sorts of pens. Montblanc Cartier, Dupont and others. I think those may all be beyond my price range at the moment. It is never a good idea to go in a store that has pens behind 1inch thick glass in walls with nifty lights on them. You can be assured the $25 pen is not behind glass 😛
At the last pen fair here (at Fountain Pen Hospital in lower Manhattan – a swell place to ogle at any time), I got to fool around with a few examples from Krone and Michel Perchin, plus one example each from Yard-O-Led and Graf von Faber-Castell. The least-expensive of these hovered around $1500; the priciest (two of the Perchins) was about $4500.
The biggest thng I took away from playing with these pens was that, once you get past, say, the $200-300 mark, it's mostly about pomp and filigree, chiseled sterling silver or abalone with lacquer overcoat, or – worse still – the braided/carved Coat of Arms bit. The business end of these writing exotica generally didn't write a lick better than anything I currently own, and in a few instances didn't write as well. Furthermore, all that encrustment often made these pens heavy and ponderous in the hand, even without posting the cap.
The pen I liked writing with most at the fair? An unassuming Parker 100. Right size, right weight/balance/heft, smooth, controlled ink flow. And enough money saved over the other choices to buy a couple of Moleskines, plenty of film, and get lost in a different town (or country) for a month or so.
Given the choice, I know what I'd do. 🙂
- Barrett
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