gavinlg
Veteran
Annie mainly uses Medium Format cameras.
Not referring to her using point and shoots, referring specifically to her not having much technical or lighting knowledge. AFAIK she actually uses canon EF gear mostly.
Annie mainly uses Medium Format cameras.
Not referring to her using point and shoots, referring specifically to her not having much technical or lighting knowledge. AFAIK she actually uses canon EF gear mostly.
... from what little I've seen of her working I would have said the opposite, she seems to have a huge amount of lighting involved
The word on the street is that she uses very skilled assistants to set lighting up for her. Obviously she has some idea - but I think she doesn't care enough to be 'technically proficient'. I'm not taking anything away from the lady, she's one of my favourites. Whatever gets the job done, you know?
Lenses matter a lot, I don't care what anyone says. The rendering of the space captured, the tonalities and the color have a huge impact on the picture. And what's the fun in using lenses that don't look good to you? Fun is key! The scene is reproduced in three dimensions in miniature in the camera, by the lens, imperfect or perfect in different ways in those three dimensions for every lens. It's only the film that samples it in 2d.
The gear does matter. It can be too heavy, too difficult to carry, too slow, etc etc. Maybe the brand doesn't matter. But what the gear can do, what it cannot, what its limitations are, etc.-- they matter a lot.
Gear is important. You have the wrong camera and/or lens and you can't take the photos you want. If you have the skills but insufficient tools, then you might get some good shots but can't produce consistent quality. Here photography is no different than other crafts.
I don't think that was his main point - unless I'm mistaken. It's the age old argument that the camera/lens/processing/film etc. used is of of no consequence in the image making. It's just the photographer's vision that counts. The camera's just a light box etc. Don't agree with that. Anyway it's sort of a pointless 'argument' which I wish I hadn't joined - enjoy 🙂Sorry guys... gear doesn't matter to the viewer... and that was the premise of the OP's post. And he's right. We like images. There may be gear that gives a specific image a specific look... but as viewers, as consumers of images, we don't care. Nor, I think, should we.
That great source of internet wisdom 😉 DigitalRev show with their "Pro Photographer, Cheap Camera" challenge that vision and skill overcome gear limitations .
However I doubt any of the photographers chosen would have been able to achieve clear insight and pre visualization without time served using and getting results with good equipment.
I don't think that was his main point - unless I'm mistaken. It's the age old argument that the camera/lens/processing/film etc. used is of of no consequence in the image making. It's just the photographer's vision that counts. The camera's just a light box etc. Don't agree with that. Anyway it's sort of a pointless 'argument' which I wish I hadn't joined - enjoy 🙂
After spending some time tonight browsing around some websites dedicated to photo imagery, I was struck by a thought, not new, but it hit me a bit harder for some reason. That thought is this: The visual impression made by a photograph has almost nothing to do with the gear used, at least from a viewer's perspective. Great images exist because a photographer placed an interesting bunch of stuff in his/her viewfinder and clicked the shutter. It didn't matter what body, lens, film format, or megapixel count was involved.
I've chased my share of gear in search for the perfect kit. But deep down I know none of that matters. What matters is pointing my camera at something interesting and clicking the shutter. I believe this has been true for all the great photographic imagery ever created... the gear never really mattered. It was the passion and the vision that mattered; nothing else.
She's very knowledgable about all aspects of photography. Switched from Nkons to Hassys when Rolling Stone's format changed, forcing her to square cover pics. Then, I think to RZ67 when she went to MYC. Now shoots all digital. MF, I'd bet. Loves shooting with her iPhone.Not referring to her using point and shoots, referring specifically to her not having much technical or lighting knowledge. AFAIK she actually uses canon EF gear mostly.