Takkun
Ian M.
Not sure if I should put this in the analog or digital subforum--it's RA-4 paper, but printed on LightJet from a digital file. Mods, please move if necessary!
For the past while I've been having my BW work inkjet printed from a local lab on a nice heavy FB paper, and it's sublime—none of the hassle that it was in the darkroom. However, I've got a few exhibitions coming up I wanted to do some BIG (20x28") digital prints done, and those would have been prohibitively expensive, so I went with Duggal.
I went with the paper noted in the title--I'd used Ilford Lustre in the darkroom fairly extensively back when I had access to one, and the color prints turned out beautifully. The BW print, however, just looks very...gray. I know the gamut will be reduced compared to a glossier stock, but it looks very murky in the mid-tones with less tonal separation. I've had good luck with the Ilford version in the darkroom, so maybe it's my post-processing technique.
Does anyone regularly work with this type of paper with BW images? is there a trick to getting it right in post-processing to get it right? For inkjet, I usually adjust global brightness to be a little more than what looks good onscreen. Maybe I lightened it too much?
For the past while I've been having my BW work inkjet printed from a local lab on a nice heavy FB paper, and it's sublime—none of the hassle that it was in the darkroom. However, I've got a few exhibitions coming up I wanted to do some BIG (20x28") digital prints done, and those would have been prohibitively expensive, so I went with Duggal.
I went with the paper noted in the title--I'd used Ilford Lustre in the darkroom fairly extensively back when I had access to one, and the color prints turned out beautifully. The BW print, however, just looks very...gray. I know the gamut will be reduced compared to a glossier stock, but it looks very murky in the mid-tones with less tonal separation. I've had good luck with the Ilford version in the darkroom, so maybe it's my post-processing technique.
Does anyone regularly work with this type of paper with BW images? is there a trick to getting it right in post-processing to get it right? For inkjet, I usually adjust global brightness to be a little more than what looks good onscreen. Maybe I lightened it too much?