auggie
Newbie
ElectroWNED
Well-known
really like the umbrella shot. composition and contrast are really nice!
Penzes
Well-known

.... 19th December 2009, I was testing my Yashica Electro GSN. The camera works great. I asked my wife to shoot a few pictures and in the mean time I was shooting to.....
Yashica Electro GSN
Kodak T-max 100
Spur HRX3
Canoscan FS4000US
martin-f5
Well-known
bundok
Member

Electro 35 GSN
ISO 100 no-name slide film, expired since 5 years, crossover developed
hand-held (YESSS!!!)
P.S.: I really dig jongcelebes' picture! Nice work!
gswarbrick
Back to Black. And White.

Fuji Provia 100

Fuji Velvia 100F
Last edited:
Maiku
Maiku
all3nizzle
Member



my test roll of film with my yashica mg-1
i was surprised these came out decent since i had no idea what i was doing haha
Maiku
Maiku
mutato
Newbie
Firefighter's Museum Hollywood, CA
Firefighter's Museum Hollywood, CA
This was one of some shots taken while in Hollywood for work. Taken handheld at dusk. Some lights were on around this statue.
Yashica GSN
200 Speed Color Film (I think!)
Scanned on Epson Perfection V500 scanner. Dust spots removal only.
Firefighter's Museum Hollywood, CA
This was one of some shots taken while in Hollywood for work. Taken handheld at dusk. Some lights were on around this statue.
Yashica GSN
200 Speed Color Film (I think!)
Scanned on Epson Perfection V500 scanner. Dust spots removal only.
Attachments
Steven Dooley
Established
maxleung
Member
Maiku
Maiku
jan normandale
Film is the other way
I think my GSN is consistantly over exposing. Although I kind of like the effect, I can't remember which direction to bump the asa in order to compensate for the over exposure.
Set the ISO on the camera slightly higher than the ISO on the box. This will cause a slight under exposure.
Jack Conrad
Well-known
I think my GSN is consistantly over exposing. Although I kind of like the effect, I can't remember which direction to bump the asa in order to compensate for the over exposure.
Set the ISO on the camera slightly higher than the ISO on the box. This will cause a slight under exposure.
Thanks... I needed that information. I've read it before but cannot seem to remember it.
My particular GSN has this one little over exposure issue. I think it's due to a mis-calibrated asa dial. I've taken the top off a couple times now and the dial just sort of floats on top snug enough not to move randomly, but sometimes it follows the ring as I adjust it. On top of that, I don't really know where the dial should be positioned exactly. I could be thinking I'm setting it at 400 but really it's at 200. :bang:
Anyway, thanks for the info.![]()
Jack Conrad
Well-known
Jack, your pictures are absolutely amazing! The one with the apples, the one with the sundown and especially the one with the pool - I would put them all ony my wall!
Keep 'em coming like that!
Wow! Thanks so much...
Not that it matters, but just for clarification, those aren't apples... they aren't oranges either,
I want to show you something. I've been testing equipment... cheap camera's, rangefinders, slr's, manual lenses and so forth to get some idea of what is true or not here in Internet land...
Now I really like this Yashica. It is very sharp and I think the resolution is astounding... if I can get the correct exposure for the situation, but here's a shot of the same swimming pool taken side by side with a Pentax SF-1 coupled to an SMC 50mm 1.4 that I recently picked up for about the same price as the Electro 35.
Can you tell a difference besides composition and/or maybe some PP tweaks?
I know this is a weird comparison, but it may be interesting to others as well.
Personally, I think the Yashica has the better resolution.
Jack Conrad
Well-known
I'm really not familiar with film and its various characteristics, so I'm surprised by the amount of color in B/W film.
Maybe I shouldn't, but I've been de-saturating via iPhoto most of these shots because they show an almost dried blood red in the shadows. Is that normal? But then, what is the point of buying special (more expensive) B/W film if I'm going to de-saturate it once it goes digital?
Maybe I shouldn't, but I've been de-saturating via iPhoto most of these shots because they show an almost dried blood red in the shadows. Is that normal? But then, what is the point of buying special (more expensive) B/W film if I'm going to de-saturate it once it goes digital?
pesphoto
Veteran
look at this thread, not bashing but isnt leica glass over rated?
I feel i can get images with a yashica rangefinder just as nice or nicer than any leicas glass.
I feel i can get images with a yashica rangefinder just as nice or nicer than any leicas glass.
wakarimasen
Well-known
I heard the same comment from someone viewing images from my Olympus 35RC! It's a case of £400-500 (Leica) vs £25 (RC) or £50 (Electro 35). I'm not sure I need the Leica effect that much...
Best regards,
RoyM
Best regards,
RoyM
pesphoto
Veteran
plus a 40mm lens is about perfect for me. I really have no need for wider or longer lenses. I always seem to go back to the 40mm.
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