nobbylon
Veteran
great camera, I use a pair of OM1's along with my M's. Zuiko's can still be had for great prices. It won't last though with all the attention they're getting. I got my 24, 50, 85 and 180 from members here and they're great lenses.
I've always been fascinated by the shutter speed adjustment. For me it works perfectly having it behind the lens and metering manually is very fast when you're not groping around on the top of the camera for a small dial. I remember in a previous thread ages ago a few people said they didn't like it ... how do you guys feel about it?
Canon, Minolta, and Pentax made some great lenses but I never liked any of their bodies. I thought once about picking up a Canon New F1, but when I played with one I hated how the exposure system works. Minolta's bodies are not nearly as fast and effortless to work with as Olympus and Nikon and they feel like they 'get in the way' when I use one.
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Pentax bodies, as you say are nothing special, the LX may be cool,
but I'd rather try out alternative bodies like from Ricoh, Fujica, Chinon, they are a lot of fun.
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And the Pentax focus ring turns the wrong way. One thing I do appreciate about the Pentax LX is the very bright viewfinder, in marginal conditions. I've been comparing the OM2n with the LX, with 24/2.8 OM vs 24/2.8 Pentax, and 50/1.8 vs 50/1.7, and in dim light the LX viewfinder is noticably brighter and easier to focus. I much prefer the OM2n controls, especially for exposure compensation (on the LX it requires two actions to set comp; on the OM a single action). The OM2 is quieter of course.
Keith, come down to Canberra and we can compare your OM2 with 50/1.2 with my LX with 50/1.2. 😀
A late question for you, Chris C, if you see this. I understand the 2-13 screen will make the viewfinder brighter, but that it will make the meter indication inaccurate in the OM2 and OM2n. Would that matter if the camera was used in auto-exposure? I believe that once the shutter is open the camera meters off the film rather than using the meter reading that was indicated before the shutter was pressed.