Gumby
Veteran
... and not very enlightened. I'm surprised Frank said that vs. "I find other Hassy lenses to be more favorable for portaiture."
kross
sonnarism
Ezzie
E. D. Russell Roberts
Never had the opportunity to try out the Hassy Planar 80, but I sure do like how the Rollei version performs so far. It blows my Tessar clone Belar equipped Flexaret out of the water, and sure gives my poor man's Hassy, the Kowa SIX system 85mm f2.8 a run for it's money.
On the picture with the car with registration visible I can read the bar code on the tax sticker on the original scan, and that's from a lowly v500 @ 2400dpi. Its sharp alright. I also like the moderate contrast levels.
Galvanised by Eirik0304, on Flickr
Momentary silence by Eirik0304, on Flickr
Hermine by Eirik0304, on Flickr
On the picture with the car with registration visible I can read the bar code on the tax sticker on the original scan, and that's from a lowly v500 @ 2400dpi. Its sharp alright. I also like the moderate contrast levels.
Galvanised by Eirik0304, on Flickr
Momentary silence by Eirik0304, on Flickr
Hermine by Eirik0304, on Flickr
Ronald M
Veteran
I have read a lot of documentation over the decades and the TLR 80 is the superior lens.
100 3.5 is a best pick
100 3.5 is a best pick
ianstamatic
Well-known
both rolleiflex 2.8E planar i think its a very smooth lens
only had mine for a little while. I use RZ67 in the studio. though have also used the rolleiflex with rollinar lens. Diacords, autocords and ikoflex are also nice tlrs
Last edited: