dave lackey
Veteran
Very interesting read about the two icons of medium format cameras.
🙂 🙂 🙂
http://www.hasselbladhistorical.eu/HS/HSHmeetsR.aspx
🙂 🙂 🙂
http://www.hasselbladhistorical.eu/HS/HSHmeetsR.aspx
I clearly remember the Rollei SL66 coming available in Canada in 1967. I've been in the Hassy equipment since 1969, but I did know "pros" who kept them even up and into retirement. The SL66 is a very well built camera, but I cannot remember when it was discontinued, and if CLA service was available later?There was a time when I wondered why anyone would bother with a Rolleiflex when you could get a Hasselblad... Now after shooting with a Rollei for years I have seen the light. I do wish I still had a Hassy for certain landscape applications, but nobody is getting me to give up my Rolleiflex. So fast to focus, and that lens rendering is just right.
I clearly remember the Rollei SL66 coming available in Canada in 1967. I've been in the Hassy equipment since 1969, but I did know "pros" who kept them even up and into retirement. The SL66 is a very well built camera, but I cannot remember when it was discontinued, and if CLA service was available later?
I clearly remember the Rollei SL66 coming available in Canada in 1967. I've been in the Hassy equipment since 1969, but I did know "pros" who kept them even up and into retirement. The SL66 is a very well built camera, but I cannot remember when it was discontinued, and if CLA service was available later?
I clearly remember the Rollei SL66 coming available in Canada in 1967. I've been in the Hassy equipment since 1969, but I did know "pros" who kept them even up and into retirement. The SL66 is a very well built camera, but I cannot remember when it was discontinued, and if CLA service was available later?
Ellisson, I seen this camera you have going through the functions in the hands of a friend, who was a lifetime user. Nothing could compare to it what it could do except in a 4x5 with all the movements. Glad your enjoying this great time piece.I still shoot with the SL66-E even though I'm often tempted to switch to the lighter, ergonomically friendlier Hasselblad SLR gear. But the macro capability and tilt function (and all the lenses I've accumulated) keep me hooked on the SL66. Service is available in the U.S. by Koh's in NY and by shops in CA and Colorado, and the place of manufacture in Frankfurt, Germany.
Ellisson, I seen this camera you have going through the functions in the hands of a friend, who was a lifetime user. Nothing could compare to it what it could do except in a 4x5 with all the movements. Glad your enjoying this great time piece.
Dave
I went back to your original posting, and finally read about the 2 very long time friends with their equipment. In 1966 when the Rollie SL66 came out here in Canada, it was much more expensive than Hasselblad, and of course normal thinking is; how can this product survive with wages being low, and people closely watching the "buck" more so than today. Remember there was no credit cards; just save your money 1st, than buy. As far as pricing even today; you can buy a mint CM and a 80mm for around $1200 or so; but I would bet that the tilt/shift piece for the Rollie will cost you more just for that one very well made piece today?
I will be on this path soon...There was a time when I wondered why anyone would bother with a Rolleiflex when you could get a Hasselblad... Now after shooting with a Rollei for years I have seen the light. I do wish I still had a Hassy for certain landscape applications, but nobody is getting me to give up my Rolleiflex. So fast to focus, and that lens rendering is just right.
Raid, I admire your use of equipment, and it is clear that you have a plan on their use, and where. For me; I do a lot of shooting with a fellow SWC owner, and often switch backs depending on what were doing. Do I like the SWC; of course I do, but I can take out my 40mm and "almost" do the same, with only 2 degree separating them. In fact, I would say my 40mm is my main lens in my outdoor stuff, so I can understand fully your love for the 38 mm.Seeing so many wedding photographers use Hasselblad cameras made me turn to getting a Rolleiflex TLR. Then, I saw the SWC, and it is a unique camera.
My choice now: Rolleiflex TLR + Hasselblad SWC.
The puzzle has been solved!