MartinL said:
Hello Colin. Just my experience: It takes a lot of time to look at and respond thoughtfully to posted photos; especially if you are looking for responses that say something more than, "nice photos."
You're absolutely right. I rarely comment on other people's photos. Generally on ones I consider excellent. The ones I find pointless - well, I assume I just don't get it.
Today, I posted another single photo on the M8 Forum. So far, no response. Maybe it should have gone on another forum. I posted there because I wasn't looking so much for critique (I do like the photo), but was (still am) hoping to get some feedback on my criteria for selecting photos.
🙂 I saw that. I even started a reply (I was disagreeing). Then I thought the tone was unfriendly and deleted it.
An observation: your "assignment" to yourself seems like a good way to discipline yourself to get out with the camera, but I'd like to know why you selected the particular photos once they were taken----that is, beyond the fact that they occurred within a time frame. In other words, when I can triangulate image with motive, I learn and see what I might otherwise miss. That makes me a better photographer.
Regarding the two pics posted above, and with all respect, why did you select these? What do you like about them. Which of your most important street photography criteria do they meet?
I get out with my camera a lot, I often just don't find anything worth taking a picture of. This "assignment" got me to take a lot of pictures and get close. I've noticed, after developing, that I need a faster film.
Now, why did I select these? Well, they were the only ones I liked. This is where we start talking different languages. I don't triangulate images with motives, and I don't have street photography criteria.
The pictures all have in common that there is a pretty/beautiful girl/woman on it somewhere. I took some shots of the scariest, fattest, hairy men I could find (really) to see if they would beat me up. They didn't even notice. I like the ones with pretty girls better. Especially if there's something else that makes the shot interesting.
So Cool: The guy has cool shades, a cigarette hanging from his lips, a lot more hair than me, a beautiful girlfriend and the background makes Munich look pretty. But, dammit, I have $10,000 of Leica gear in my bag!
It all happened so fast: I like the way they look like ghosts. More than just a little motion blur to denote speed - so much more it looks deliberate.
Nice door: I liked the angle. And the girl is pretty. The guy looking the other way makes it more interesting. Don't know why.
The girl sitting (above): Very beautiful. But what does that expression mean? Probably nothing unusual, but I can interpret it as meaning all sorts of things. I made it extra dark and cropped close, to make the surroundings more - threatening?
The girl standing (above): very pretty, again. Thought I'd make a joke about her phoning her parents. Not very good though, since there's no way on earth they could be her parents. Compare the bags!
I can't really help you with (your) motives and criteria. These shots are not composed - they're barely even framed. There wasn't time (for me). I saw an interview with HCB. Apparently he *could* do raise camera, click, lower camera. And get a well composed shot. But then, he's famous - and I'm not.
colin