K
Ken Tanaka
Guest
As a new member here I just wanted to introduce myself. I'm an advanced amateur / semi-pro photographer that's been shooting all-digital in the Canon system (currently a 10D and 1D Mark II) for a while. Honestly, I love Canon cameras and lenses and suspect that it will be my primary digital platform for the duration.
I had not shot a frame of film since the mid-1980's (a long hiatus from photography during the 90's) and, after retiring from my business career, found I had a hankerin' for the organic feeling of shooting film. I considered appropriate film platforms for some time. Of course the sensible choice would have been to simply grab a Canon film body, such as the 1V, to mate with my dozen or so EF lenses and other accessories.
But sometimes you just have to do something a little nutty from the heart. I have been researching Leica cameras and lenses for many months. After scouring a couple of Jonathan Eastland's fine books ("M7 Handbook" and "Leica M Compendium"), Alessandro Pasi's "Leica: Witness to a Century", and books of many photographers who have used Leicas during the past 70 years I threw common sense out the window. In the final week of 2004 I became the proud owner of a new black Leica M7 with .58 viewfinder and a 35mm Summilux f/1.4 ASPH lens.
As I noted above, I love the Canon digital system. But after shooting just 3 rolls of film with my M7 I find myself in love with my Leica M7. Photography with this little camera is a matter of craftsmanship. It demands thought. It demands skill. It demands awareness. It's wonderful. The camera feels so finely crafted and so reliable it's more of a companion than a ward.
Well I could drone on for several more paragraphs, but I'm singing to the choir here. I'll likely be more of a lurker than contributor here, with many little tips to harvest from your collective experience and knowledge. But I just wanted to say hello and introduce myself.
-Ken Tanaka-
I had not shot a frame of film since the mid-1980's (a long hiatus from photography during the 90's) and, after retiring from my business career, found I had a hankerin' for the organic feeling of shooting film. I considered appropriate film platforms for some time. Of course the sensible choice would have been to simply grab a Canon film body, such as the 1V, to mate with my dozen or so EF lenses and other accessories.
But sometimes you just have to do something a little nutty from the heart. I have been researching Leica cameras and lenses for many months. After scouring a couple of Jonathan Eastland's fine books ("M7 Handbook" and "Leica M Compendium"), Alessandro Pasi's "Leica: Witness to a Century", and books of many photographers who have used Leicas during the past 70 years I threw common sense out the window. In the final week of 2004 I became the proud owner of a new black Leica M7 with .58 viewfinder and a 35mm Summilux f/1.4 ASPH lens.
As I noted above, I love the Canon digital system. But after shooting just 3 rolls of film with my M7 I find myself in love with my Leica M7. Photography with this little camera is a matter of craftsmanship. It demands thought. It demands skill. It demands awareness. It's wonderful. The camera feels so finely crafted and so reliable it's more of a companion than a ward.
Well I could drone on for several more paragraphs, but I'm singing to the choir here. I'll likely be more of a lurker than contributor here, with many little tips to harvest from your collective experience and knowledge. But I just wanted to say hello and introduce myself.
-Ken Tanaka-
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