S
Simon Larbalestier
Guest
Always a pleasure conversing with you KP 🙂
Hi Simon, Yep.. got back last week, not got warm yetSimon Larby said:Hi Stewart
OT but summer seems to be going going gone in Yorkshire...........
Simon
venchka said:bumpity bump bump bump
FrankS said:Hi Wayne, tell me if I've got this right: You took the b+w shots with a Canon slr and 35 lens, you took the colour shots with a Leica RF and Canon 35 lens, and you like the slr results better?
If that's so, I think the obvious difference is that you are comparing b+w shots to colour shots. If you want to compare lenses, at least use the same film.
I have no bias or vested interest here, I'm just trying to help you compare lenses fairly.
Flyfisher Tom said:Wayne,
Have you looked at the color shots after conversion to b/w in photoshop? Maybe that will level the playing field.
On the other hand, if sharpness is what you are after, the 35/asph/cron will give you the sharpest results across the field and across apertures.
regards
Man can not live by bread alone. He needs peanut butter. It's our job to give him some peanut butter.
A. Jones, Design teacher, USL, 1966
venchka said:Right on, Frank. I'll start working on that this weekend. Until now, I had not lpayed much attention to my 35mm lenses, and certainly not side by side. I don't dislike the RF 35mm lens. It is, afterall, a decade or more older than the SLR 35mm lens. Everyday you read on this forum about the "classic" look of the older lenses. I'm just now seeing it first hand with my own equipment.
My goal now would be to have both a crisp, sharp, "hard edged" wide angle as well as the creamy, smooth version. The crispy lens may or may not be a 35mm lens.
Thanks for your insight.
For the sake of comparison, I also tested my old Canon 35/2.8 at the same time as the other three 35mm lenses. This lens, of course, has a very different look from the other three tested because its overall contrast is much lower than the more modern lenses. Its histogram has a very different shape from that of, for example, the Voigtlander 35/2.5, and its tonality is warmer overall. Interestingly, the shape of the Canon 35's histogram (for the test pictures reproduced here) is more similar to that of the Leica 35 than it is to that of either of the Voigtlanders and the Canon's color rendering is very similar to that of the Leica. On center, it is as sharp as the Voigtlander 35/2.5 but the Voigtlander is much sharper in the corners at F/2.8. The corner sharpness difference between the two lenses largely disappears at F/8. The Canon, however, shows almost no vignetting at any aperture, likely because its rear-most element barely projects inside the lens mount.
Sean Reid