pfogle
Well-known
I'm sort of embarrassed to ask this, but I'm looking for a *fantastic* 50mm for a reasonable price, for portraits that are sharp, but not too brutal.
I have a choice between an overpriced (IMHO) Hexar f2 at around $400, and a black, not latest series f2 'cron with focus lever and the vented hard rubber shade for about $700. Those are rough USA equivalent prices; things generally are pricy over here.
Any advice gratefully received!
cheers
Phil
ps, a couple of pix from a wet weekend in Wales in the gallery!
I have a choice between an overpriced (IMHO) Hexar f2 at around $400, and a black, not latest series f2 'cron with focus lever and the vented hard rubber shade for about $700. Those are rough USA equivalent prices; things generally are pricy over here.
Any advice gratefully received!
cheers
Phil
ps, a couple of pix from a wet weekend in Wales in the gallery!
jlw
Rangefinder camera pedant
You might want to wait for Sean's review to come out. He's going to evaluate several 50mm lenses on the R-D 1.
$30 Jupiter 8 for beautiful portraits. If you get a good example it delivers that super Sonnar look. At the price, you can buy a few to find a good one. It has been said the the Summicron is too sharp for portraits.
The Summar and Summitar are supposed to be more forgiving, the Summitar is said to provide that "Leica Glow" very well. Both have soft coatings though so be careful in handling them.
I really like the Sonnar look, the Canon 50/1.5 is one, but about as common as hens teeth. There are other Sonnar copies too (Nikkor 50/1.4 and 2).
The Summar and Summitar are supposed to be more forgiving, the Summitar is said to provide that "Leica Glow" very well. Both have soft coatings though so be careful in handling them.
I really like the Sonnar look, the Canon 50/1.5 is one, but about as common as hens teeth. There are other Sonnar copies too (Nikkor 50/1.4 and 2).
T
Todd.Hanz
Guest
I have heard only praise of the 50/2 Konica, read this one:
http://www.davidde.com/articles/konica50.html
I wouldn't be embarrassed, looks like an outstanding lens!
Todd
http://www.davidde.com/articles/konica50.html
I wouldn't be embarrassed, looks like an outstanding lens!
Todd
peter_n
Veteran
I would second the Jupiter-8, a terrific lens if you get a good sample. Finding a good sample takes time and the opportunity cost is considerable. If you add the opportunity cost of doing the research and shopping to the cost of the lens + shipping/handling you are in the low hundreds and you might as well buy a used Leica or CV. A really great (alright fantastic
) 50mm is the current Leica Elmar-M. Its a copy of a Zeiss Tessar formulation, sharp but not too sharp, warm color rendition, very nice OOF. Probably around $450-500 S/H in great nick. A fab lens!
Huck Finn
Well-known
A third vote for the Sonnar, which means not only the J-8 but 1950's Nikkor, Canon, & Zeiss (hard to find in LTM or M-mount). I also agree with Peter about the Elmar.
pfogle
Well-known
Thanks guys... I used to have a beaut Sonnar in a LSM on a IIIc, but I lost it in a divorce 
I've got a Jupiter, and it's quite good, but, I don't know, it seems to lack some guts. Maybe I just feel the mechanics aren't up to it.
I think it'll come down to an impulse buy tomorrow
I've got a Jupiter, and it's quite good, but, I don't know, it seems to lack some guts. Maybe I just feel the mechanics aren't up to it.
I think it'll come down to an impulse buy tomorrow
pfogle
Well-known
Actually, I realize I'm gonna have to have the 'cron, for the same reason I got the R-D1... I'll be kicking myself if I don't 
but thanks for the input - it made me think about it a bit more.
Phil
but thanks for the input - it made me think about it a bit more.
Phil
pfogle said:Actually, I realize I'm gonna have to have the 'cron, for the same reason I got the R-D1... I'll be kicking myself if I don't
but thanks for the input - it made me think about it a bit more.
Phil
Ah, the truth finally comes out.
LCT
ex-newbie
If you mean this Summicron, it is nearly perfect IMHO.
Mine is always in my bag with Summicrons or M-Rokkors 28 and 40mm.
Best,
LCT
Mine is always in my bag with Summicrons or M-Rokkors 28 and 40mm.
Best,
LCT
peter_n
Veteran
To quote your original post Phil: portraits that are sharp, but not too brutal. A current Summicron is a fantastic lens but it is painfully sharp. I have seen portraits of older people done with that lens that made me cringe. It has a cool color rendition that somehow adds to the effect. Maybe the older sample you are after is a bit on the kinder side? I hope so! 
peter_n
Veteran
LCT - welcome to the forum! I know you well (and your avatar) from the Leica forum in Germany. I think you'll enjoy it over here!! 
LCT
ex-newbie
Thanks Peter.
Pleased to meet you too.
Best,
LCT
Pleased to meet you too.
Best,
LCT
Jim Watts
Still trying to See.
Phil,
I find my 1975 vintage 50mm f/2 Cron is VERY sharp on my R-D1. Certainly sharper than my 35mm f/2 Cron so you might find even an early one too sharp for your purposes. You could of course add a little Gaussian Blur in photoshop to soften it.
I find my 1975 vintage 50mm f/2 Cron is VERY sharp on my R-D1. Certainly sharper than my 35mm f/2 Cron so you might find even an early one too sharp for your purposes. You could of course add a little Gaussian Blur in photoshop to soften it.
pfogle
Well-known
Hey guys, thanks again for the input!
Well... I went back to the shop I visited yesterday, and guess what? Both the summicrons had been sold the previous afternoon! No joy there. So, to cut it short, I ended up getting the Hexar, and so far it looks good. Plenty sharp enough, and easy to focus (I prefer a ring rather than a lever, esp for vertical shots). It has a crap built in shade, but I've got a vented Hoya one that fits, and looks the part. I'll put some results up after the weekend.
Cheers
Phil
Well... I went back to the shop I visited yesterday, and guess what? Both the summicrons had been sold the previous afternoon! No joy there. So, to cut it short, I ended up getting the Hexar, and so far it looks good. Plenty sharp enough, and easy to focus (I prefer a ring rather than a lever, esp for vertical shots). It has a crap built in shade, but I've got a vented Hoya one that fits, and looks the part. I'll put some results up after the weekend.
Cheers
Phil
peter_n
Veteran
I hate those built-in shades...
The one on the current 50mm Summicron sucks.
vincenzo
Established
Phil, I also had this lens with my RD-1 but I sold it along with the hexar body. It was a sharp lens and very well made. Regarding the Jupiter/Russian lenses; its very hit and miss but I met a dealer in Minsk, Belarus who has very high quality specimens of the whole range.
If you or anyone else is interested I can get hold of them quite easily. I took a black J-3/1.5 from 1984. He only sells the higher quality versions, usually the black newer models from the 70's and 80's. His lenses although more expensive than average were in pristine condition cosmetically and mechanically and I tried each one out on my RD-1. The younger versions are uncoated and very prone to flare.
I'm going to buy the new 21/2.8 Biogon soon. Anyone tried/bought this?
If you or anyone else is interested I can get hold of them quite easily. I took a black J-3/1.5 from 1984. He only sells the higher quality versions, usually the black newer models from the 70's and 80's. His lenses although more expensive than average were in pristine condition cosmetically and mechanically and I tried each one out on my RD-1. The younger versions are uncoated and very prone to flare.
I'm going to buy the new 21/2.8 Biogon soon. Anyone tried/bought this?
pfogle
Well-known
Hi Vincenzo... at first look I'm very pleased with the look of the files from the Hexanon... it looks crisp without battering people with too much micro-contrast. I think the J-8 I've got isn't too bad - it has a bit of what looks like fungus damage on the back of the front element, but it's not visible when you look through the lens, and I had to shim the focusing cam slightly as it was back-focusing.
I read a bunch of reviews of the Hexanon, and the were positive, though there was one guy who thought it flared badly when shooting into the light. Did you find this lens flared badly? There's no sun here at the moment so I can't test it. This IS England, after all
Re the biogon, I asked about it today at our local Leica shop. They have three CZ lenses, but didn't have the Biogon. They did have the pricelist, however, and it's about half the price of the Elmarit. We'll have to wait for Sean to update his wide-angle review! I'm really looking forward to trying that baby out. The CV 21mm is a fine lens, but I'm converting my RAW files in RawShooter rather than PhotoRaw, so I don't have the anti-vignetting option available, and I'd like to find a f2.8 21mm with a more even field of illumination (without breaking the bank).
cheers
Phil
I read a bunch of reviews of the Hexanon, and the were positive, though there was one guy who thought it flared badly when shooting into the light. Did you find this lens flared badly? There's no sun here at the moment so I can't test it. This IS England, after all
Re the biogon, I asked about it today at our local Leica shop. They have three CZ lenses, but didn't have the Biogon. They did have the pricelist, however, and it's about half the price of the Elmarit. We'll have to wait for Sean to update his wide-angle review! I'm really looking forward to trying that baby out. The CV 21mm is a fine lens, but I'm converting my RAW files in RawShooter rather than PhotoRaw, so I don't have the anti-vignetting option available, and I'd like to find a f2.8 21mm with a more even field of illumination (without breaking the bank).
cheers
Phil
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Jim Watts
Still trying to See.
Phil & Vincenzo,
U.K list price for the Zeiss 21mm f/2.8 is £745 +vat = £875.38
Plus 240 +vat = £282.00 for the 21mm finder. You would not need this finder for the R-D1 of course (but the VC 21D) and if you use the lens on a full frame 35mm body as well then the VC full frame finder would be a cheaper bet.
I am interested in the Zeiss 21mm or possibly the 25mm. Even though I am quite happy with the VC 25mm the fact that it couples and is an extra stop is attractive. I handled both at Focus and they are well built and smooth to focus, but they woundn't allow me to take pictures with them so I am also awaiting Sean's report.
I hope the street prices turn out to be a little lower, butI expect it will not be by much as Hasslebad is the distributer.
U.K list price for the Zeiss 21mm f/2.8 is £745 +vat = £875.38
Plus 240 +vat = £282.00 for the 21mm finder. You would not need this finder for the R-D1 of course (but the VC 21D) and if you use the lens on a full frame 35mm body as well then the VC full frame finder would be a cheaper bet.
I am interested in the Zeiss 21mm or possibly the 25mm. Even though I am quite happy with the VC 25mm the fact that it couples and is an extra stop is attractive. I handled both at Focus and they are well built and smooth to focus, but they woundn't allow me to take pictures with them so I am also awaiting Sean's report.
I hope the street prices turn out to be a little lower, butI expect it will not be by much as Hasslebad is the distributer.
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mtokue
Well-known
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