SaveKodak
Well-known
I've been scanning with the Pacific Image PF120 Pro, which is a pretty under-rated unit IMO. My biggest critique would be the holders, which, like all stock holders...suck. So I started tinkering with the holder to see if it could hold a piece of glass in place, and it could. Then I started re-reading the benefits of wet scanning, and came upon the fact that Scan Science will make you a custom glass plate so you can wet scan in a dedicated film scanner. After a round of un-flat Ektar 6x7 negatives started driving me nuts, I bit the bullet.
Holy crap. The results I'm seeing are pretty night and day different if you know what to look for. First, my negs are perfectly flat. This is a big deal. I am definitely seeing more detail and possibly greater contrast which helps bring those details out. Second, lower noise, especially with color negative. My chrome scans are out of this world, I am eking out every bit of information that my scanner can produce. I would be quite comfortable printing them at 23x23 @ 300dpi. At 240dpi, you're closer to 30x30, and that's a pretty dang big enlargement for a 6x6 negative IMO. 6x6 is about 50mp, and 6x7 is about 60. Not really feeling the GAS for that GFX anymore...
But in the immortal words of Lavar Burton...don't take my word for it!

Provia 100F by Mark Sperry, on Flickr

Provia 100F by Mark Sperry, on Flickr

Provia 100F by Mark Sperry, on Flickr

Ektachrome E100G by Mark Sperry, on Flickr

Ektachrome E100G by Mark Sperry, on Flickr
100% Crop.
Now, all of this was shot with expired film...so these are not even the best they can be. You can definitely tell the Ektachrome in particular was expired, and combined with my Rollei 2.8E produced some pretty low contrast... but still... not bad for a 60 year old Planar wide open.
I developed these in my kitchen with a Jobo!
I'm having a tough time wet scanning the 35mm due to the curl, but hopefully I'll figure it out soon.
Holy crap. The results I'm seeing are pretty night and day different if you know what to look for. First, my negs are perfectly flat. This is a big deal. I am definitely seeing more detail and possibly greater contrast which helps bring those details out. Second, lower noise, especially with color negative. My chrome scans are out of this world, I am eking out every bit of information that my scanner can produce. I would be quite comfortable printing them at 23x23 @ 300dpi. At 240dpi, you're closer to 30x30, and that's a pretty dang big enlargement for a 6x6 negative IMO. 6x6 is about 50mp, and 6x7 is about 60. Not really feeling the GAS for that GFX anymore...
But in the immortal words of Lavar Burton...don't take my word for it!

Provia 100F by Mark Sperry, on Flickr

Provia 100F by Mark Sperry, on Flickr

Provia 100F by Mark Sperry, on Flickr

Ektachrome E100G by Mark Sperry, on Flickr

Ektachrome E100G by Mark Sperry, on Flickr
100% Crop.
Now, all of this was shot with expired film...so these are not even the best they can be. You can definitely tell the Ektachrome in particular was expired, and combined with my Rollei 2.8E produced some pretty low contrast... but still... not bad for a 60 year old Planar wide open.
I developed these in my kitchen with a Jobo!
I'm having a tough time wet scanning the 35mm due to the curl, but hopefully I'll figure it out soon.