zerobuttons
Well-known
Dave,
I probably haven´t got an adequate answer to the last question in your first posting. I believe that both choices - digital and film - sooner and later would make the choice of gear less than simple to work with. Film, because of ever fewer places selling film and developing equipment (including chemicals). Digital, because of the hassle with white balance, making sure you have spare batteries and that they are charged, etc.
Until recently, I used only a Leica MP (2003) with Summicron 35 and 90. Because of the hassle of traveling with film, I bought an M-P 240 when I got the opportunity, financially. I found that because of that choice a lot of unexpected needs arose: backup harddrives, white balancing equipment, spare charger, etc.
The reason I post a reply, even though I lack a qualified answer, is your reference to useful, but beautiful things. Call it wisdom or not, I have the urge to acquire such things. I usually think of them as useful AND beautiful things. Furthermore, these things often tend to be over-engineered to a degree where you have no doubt that the manufacturer actually wanted it to last - and not only until the next iteration of the product emerges. So, here you may have a kind of an answer anyway: the kind of gear that would suit your imagined user, would probably be gear of this kind. Gear that doesn´t break down while on the road, or when you don´t have money for repair. Gear that just works as expected. If you add to that the specification that the gear also has to be design-wise pleasing to look at, I would say that any Leica M, whether film or digital, would fit the bill. Oh, and to that previous answer from another member, who claimed that using a Leica camera is the opposite of simplicity, I can only say that I completely disagree.
I probably haven´t got an adequate answer to the last question in your first posting. I believe that both choices - digital and film - sooner and later would make the choice of gear less than simple to work with. Film, because of ever fewer places selling film and developing equipment (including chemicals). Digital, because of the hassle with white balance, making sure you have spare batteries and that they are charged, etc.
Until recently, I used only a Leica MP (2003) with Summicron 35 and 90. Because of the hassle of traveling with film, I bought an M-P 240 when I got the opportunity, financially. I found that because of that choice a lot of unexpected needs arose: backup harddrives, white balancing equipment, spare charger, etc.
The reason I post a reply, even though I lack a qualified answer, is your reference to useful, but beautiful things. Call it wisdom or not, I have the urge to acquire such things. I usually think of them as useful AND beautiful things. Furthermore, these things often tend to be over-engineered to a degree where you have no doubt that the manufacturer actually wanted it to last - and not only until the next iteration of the product emerges. So, here you may have a kind of an answer anyway: the kind of gear that would suit your imagined user, would probably be gear of this kind. Gear that doesn´t break down while on the road, or when you don´t have money for repair. Gear that just works as expected. If you add to that the specification that the gear also has to be design-wise pleasing to look at, I would say that any Leica M, whether film or digital, would fit the bill. Oh, and to that previous answer from another member, who claimed that using a Leica camera is the opposite of simplicity, I can only say that I completely disagree.
