DD: What was it like shifting to digital photography for the first time during the Genesis project?
SS: I started out working with negatives with a medium-format Pentax camera. About halfway through, in 2008, I switched to a digital camera because I was in constant fear that security machines at airports could destroy my films. A friend assured me that digital images were now of good quality. When I went digital, I switched to a Canon camera and I found the quality was much better than the medium-format negatives. In the final prints, you can see no difference because I have worked with one film, Kodak Tri-X film, all my life, and we were able to reproduce the exact grain of that film in the digital image. We also created a way of working that was no different from how I had always worked. I recorded everything on digital cards just as I did with film and, from these images on the cards, contact sheets and prints were made for me. Those I selected were then made into negatives. So, except for minor differences, the process was exactly the same.