ywenz
Veteran
I'll take my Leica and carve HCB's name on it and call it my homage to HCB. It will be one of a kind. Then it will be worth something..
This gives me a great idea! The John Adams commemorative edition! The 33.4mm Incognitux lens, where the aperture is inconsequential, and takes the shape of anything you think it should, but is never there.dll927 said:Another comment: Gandy mentions, among many others, the Anton Bruckner commemorative edition.
gabrielma said:This gives me a great idea! The John Adams commemorative edition! The 33.4mm Incognitux lens, where the aperture is inconsequential, and takes the shape of anything you think it should, but is never there.
And a "Leica in China" edition body, featuring a minimalist frame selector, which goes only right, but goes left, and has an assortment of only one frame, which corresponds to the 33.4mm focal length. Instead of a shutter button, you have to pat it as you foxtrot. Great for street shooting.
That shutter can only function for 4 minutes and 33 seconds! 😛markinlondon said:Nice one, Gabriel but I'm waiting for the John Cage model with the totally silent shutter 🙂
gabrielma said:That shutter can only function for 4 minutes and 33 seconds! 😛
markinlondon said:Update.
A form of sanity has prevailed and the price is now £4,999. I'm still not buying it 🙂
Mark
Gid said:That's £96,000 off the initial price. I don't know if I can resist such a bargain 😀
As it happens not only am I a rangefinder afictionado I am also a Brucknerite and my son Anton is named after him. The reason for various versions of the Bruckner symphonies are revisions Bruckner made at the suggestion of conductors and publishers. Purists accept only his original version whereas others myself included tend to prefer the revised versions.dll927 said:Another comment: Gandy mentions, among many others, the Anton Bruckner commemorative edition. Suffice it to say that Bruckner is a somewhat problematic composer to consider. For reasons known only to God, some of his symphonies, particularly the earlier ones, exist in several versions, and recordings can depend on which version the conductor chose.
There is nothing unusual about composers revising their works after trying them out. But the final version by the conposer is normally accepted as the 'standard' version. In Bruckner's case, not only did he himself make revisions, but later "editors" seem to have gotten into the act. So it can be a toss-up.