I saw this in newsweek. "Is photography dead?"

Leicasniper is right. This article starts from a false premise and loses it's way from there.

I applaud the author for getting paid for that bit of fluff. It must have been a slow news day.

Regards,

Bill
 
Factual validity? :D As soon as the first plates were made, photographers already started "doctoring" them...
 
Mobile phone vs photography !

Mobile phone vs photography !

I posted this comment some months ago. Mobile phone for the vast majority of people with 5 millon pixels or more is enough to satisfy their need.:angel:

Another point is that photography can only be an art if printed on paper.:angel:

Having the pictures on PC is just like for music: never go to a concert and listen to music on MP3.

SLR digital prices will go dow ... within one year an EOS 5D will be around 2000 $...
Digital will follow the market rules.... Look at people buying a SLR or a compact, compare it to a customer buying an Ikonta in the 50's... The first know nothing about photography the second had much more pleasure......:bang::bang:
 
Film photography's artistic cachet was always that no matter how much darkroom fiddling someone added to a photograph, the picture was, at its core, a record of something real that occurred in front of the camera. A digital photograph, on the other hand, can be a Photoshop fairy tale, containing only a tiny trace of a small fragment of reality. By now, we've witnessed all the magical morphing and seen all the clever tricks that have turned so many photographers—formerly bearers of truth—into conjurers of fiction.
Click to expand...

Here's where he starts to go off the road completely. The picture, at its core, a record of something in front of the camera. Sure. But how truthful is that something? Not to mention how truthful did the camera record it.

I stopped reading after that paragraph. If he tried to make some point in favour or against photography, he failed to relate it to me and failed to keep me interested to find out.
 
It seems that great photographers and great thinkers have diverged on this from the start.

From the first sentence of John Szarkowski's "The Photographer's Eye":

"More convincingly than any other kind of picture, a photograph evokes the tangible presence of reality. Its most fundamental use and broadest acceptance has been as a substitute for the subject itself -- a simpler, more permanent, more clearly visible version of the plain fact."

From Robert Adams' "Beauty in Photography":

"If landscape art were only reportage, however, it would amount to an ingredient for science, which it is not. There is always a subjective aspect in landscape art, something in the picture that tells us as much about who is behind the camera as what is in front of it. Pictures are never so clearly tautological as, say, Gertrude Stein's description of a rose...Making photographs has to be, then, a personal matter; when it is not, the results are not persuasive."

/T
 
The first commercial uses of photographs were two.

1) It replaced, virtually supplanted and killed, lithography. In other words, technical drawing of existing outdoor objects was replaced by photographs of those objects. In this, it was objective.

2) It supplemented and cut into the trade for portraiture. This had already been done to some extent by the silhouette, which was a poor man's portrait. So it filled a niche between having one's portrait painted and having one's silhouette drawn. In this, it was subjective, as every good portraitist knew to flatter their customer according to the customer's wishes.

The battle then diverged to the group that insisted that to be accepted as an art form, photography must imitate painting (the Pictorialists) and those who claimed that photography must depict things as they are (f/64 or Straight Photography).

But photography has failed to do what it is told to do. It may be objective - or subjective. It may be technical, precise, emotional, evocative, literal, or abstract.

Photography continues to evolve because the tools are evolving. With more ways to speak come more things to say.

Is painting dead? Is music dead? Is writing dead?

Photography is not 'one thing' - therefore it will not be classified as one thing. Even if one form of photography falls out of favor or become technically obsolete (Polaroid manipulations, say).

I think photography's demise has been greatly exaggerated.

I note with some irony that Newsweek does not have a Lithograph on their front cover. Nothing but photographs, for as far back as I could click:

http://www.newsweek.com/id/128648

Perhaps photography could ask if Newsweek is dead?
 
bmattock said:
Photography is not 'one thing' - therefore it will not be classified as one thing. Even if one form of photography falls out of favor or become technically obsolete (Polaroid manipulations, say).
Click to expand...

Right there!

I agree, it must be slow day for the editors.

Bill, you should write for Newsweek :D
 
From magazine.org.

Newsweek avg circulation.
1997 - 3,225,961
2007 - 3,130,600

With flat circulation numbers for the last 10 years, I doubt Newsweek will be around long enough to write the obit on photography.
 
I really don't see the point in bashing Newsweek like on some posts above. Sure, we can disagree with the writer (I on some points), but the comments above really sounds like a cheap B series movie "If you are not with us, you are against us".
And I would add that the closing statement of the article is probably a challenge to all of us, and a very constructive one :

"The next great photographers—if there are to be any—will have to find a way to reclaim photography's special link to reality. And they'll have to do it in a brand-new way."

So at least it means there is still demand for photography as an art, so we should all be glad about that and not bitch on Newsweek.
 
"Film photography's artistic cachet was always that no matter how much darkroom fiddling someone added to a photograph, the picture was, at its core, a record of something real that occurred in front of the camera. A digital photograph, on the other hand, can be a Photoshop fairy tale, containing only a tiny trace of a small fragment of reality. By now, we've witnessed all the magical morphing and seen all the clever tricks that have turned so many photographers—formerly bearers of truth—into conjurers of fiction."



Maybe the writer has never seen any work by Jerry Uelsmann? ;)
 
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