Ken Ford
Refuses to suffer fools
I just purchased an M3 DS from KEH - it should be delivered today. I plan on using this body mostly with my two CL lenses - a 40 Cron and 90 Elmar-C. However, I think I'd be missing out if I didn't also pick up a classic 50 that is contemporary with the M3. I love the rendering you get from older Leica glass, and it would be a nice occasional change of pace.
Collapsible Summicron? Other Leica suggestions?
Collapsible Summicron? Other Leica suggestions?
ferider
Veteran
Congrats, Ken !
Not Leitz, but this is my favorite on my M3 - contemporary, too:
Cheers,
Roland.
Not Leitz, but this is my favorite on my M3 - contemporary, too:

Cheers,
Roland.
markinlondon
Elmar user
You can't go wrong with a 50 'cron, Ken. A DR would be ideal but a bit late to really "match" a DS M3. A collapsible 'cron or maybe even an Elmar would be spot on and very convenient to boot.
FrankS
Registered User
Col.Summicron or col.Elmar f2.8.
Ken Ford
Refuses to suffer fools
ferider said:Congrats, Ken !
Not Leitz, but this is my favorite on my M3 - contemporary, too:
![]()
Cheers,
Roland.
Oh, my.
Maybe *two* 50s, then.
jja
Well-known
Good suggestions from Frank et al. Having owned a collapsible Summicron and Elmar f2.8, and acknowledging sample variation, lens age, etc., I would choose the Elmar over the Summicron. I found my Summicron too soft at f2. Handling-wise, I'd give the edge to the Summicron, but image-wise, I liked the Elmar a lot more. Again, my caveat is the issue of age, condition, etc. If you are worried about haze, look for a mid-60s Elmar; though it will not be the contemporary of your DS M3, it will be less likely to have haze or other issues.
jja
Well-known
My Elmar was also a tad more crisp and contrasty at other apertures. When I think of classic, I think of the Elmar.
like2fiddle
Curious
How about a 5cm Summitar (with adaptor). Produced to 1955, collapsible, reasonably priced. Barely overlaps with M3, but they were both produced in '55.
raid
Dad Photographer
I recommend the rigid Summicron first, followed by the Nikkor 50/2 or the Canon 50/1.2.
Raid
Raid
back alley
IMAGES
hard to go wrong with a clean elmar, a very nice look to the photos.
markinlondon
Elmar user
back alley said:hard to go wrong with a clean elmar, a very nice look to the photos.
As illustrated by my avatar
Do remember to extend the lens before shooting :bang:
Biggles
My cup runneth amok.
I vote for a big, fat, vintage Summilux!
FrankS
Registered User
Biggles said:I vote for a big, fat, vintage Summilux!
Not a bad idea at all! I've got a Summarit on my M3 right now.
ugly bokeh
Established
Ken Ford said:I just purchased an M3 DS from KEH - it should be delivered today. I plan on using this body mostly with my two CL lenses - a 40 Cron and 90 Elmar-C. However, I think I'd be missing out if I didn't also pick up a classic 50 that is contemporary with the M3. I love the rendering you get from older Leica glass, and it would be a nice occasional change of pace.
Collapsible Summicron? Other Leica suggestions?
Hi Ken,
Congratulation on your purchase. I am curious as to actual condition of the camera you bought from KEH vs their grading system. I am thinking of buying an M3 from KEH too. Thank you.
Regards,
Nelson
Type I Rigid Summicron.
Wide-Open, pointed into the Sun.
Tight Crop:
CLA'd this one myself. Had some residual discoloration in one layer of Balsam. No big deal.
Wide-Open, pointed into the Sun.

Tight Crop:

CLA'd this one myself. Had some residual discoloration in one layer of Balsam. No big deal.
Gabriel M.A.
My Red Dot Glows For You
You can't go wrong with any of the "classics" (the Summar and Summarit are an exception, you go into "taste" territory), unless there's separation, fungus or irreparable scratching.
Any of the Summicrons is fine. I have a special place in my heart (aww) for the Summitar. You want a "vintage" feel? That's the lens to use. You want nice and crispy? The f/2.8 Elmars or all Summicrons (except the 1969 version, that is not quite as "crispy")
Ask Todd Hanz about "Summilust", though. Resistance is futile
Any of the Summicrons is fine. I have a special place in my heart (aww) for the Summitar. You want a "vintage" feel? That's the lens to use. You want nice and crispy? The f/2.8 Elmars or all Summicrons (except the 1969 version, that is not quite as "crispy")
Ask Todd Hanz about "Summilust", though. Resistance is futile
Gabriel M.A.
My Red Dot Glows For You
That's a pretty good "puddin' proof", Brian. 
ferider
Veteran
Ken Ford said:Oh, my.
Maybe *two* 50s, then.
My respect if you can only keep it to two
Gabriel M.A. said:
And Ken, have a close look at Gabriel's avatar
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Gabriel M.A.
My Red Dot Glows For You
Heh. Imagine how it'll pain me to leave it behind on my trip this week.ferider said:And Ken, have a close look at Gabriel's avatar![]()
I just can't take *all* 12 lenses with me!!
All of the Leitz glass is excellent of course. I prefer the rigid Summicron which lives on my M3.
As for classic glass, don't over look the Nikkor 50/2 or Canon 50/1.5, both are contemporary to your M3 and will look damn good on it too.
As for classic glass, don't over look the Nikkor 50/2 or Canon 50/1.5, both are contemporary to your M3 and will look damn good on it too.
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