If photography was music

rkm

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Sep 23, 2012
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Long time musician here, and novice photographer. I can't help notice how many parallels there are between music making and photography.

For instance:

- Street Is the Jazz of photography: It happens in the moment, interprets a complex set of circumstances, can be ugly/beautiful... It is what it is. Shadows and highlights are equally important. The whole can be greater than the sum of the parts. Jazz is existence music. Street is existence photography.

- A Leica M3 is like a Fender Telecaster: Deceptively low on features, but surprisingly versatile. The emphasis is on what the hands of the artist can do with it. Also, they don't make them like they used to.

With broad brush strokes, and tongue firmly in cheek if you wish, add your own observations...
 
8x10 inch: kettle drum. Hard to ignore!

Minox: Piccolo. Just looks like one.

M9: Second-generation Moog.

Leica S: Grand piano.

Nudes: chamber music?

Olympus (until recently): fiddle.

Cheers,

R.
 
HCB would be Bach at the cello
Elliott Erwitt, Eric Satie
I would be a 6 years old on his third lesson of violin.
 
Merge the two -- listen to Grofe's Grand Canyon Suite while looking at (or taking) images of the Grand Canyon :D
 
Mustn't forget to mention Steiglitz's 1923 series of cloud studies he called "Equivalents". An example from this series is "Clouds, Music No. 1, Lake George", part of a series of ten cloud photographs that he directly identified as visual music. (Source: "A History of Photography from 1839 to the Present, The George Eastman House Collection", pp. 483-485, Taschen).
 
I can't think of a Nikon F without thinking about Duran Duran's 'Girls On Film.'

I can't think of Girls on Film without thinking about the accompanying video clip.

I remember playing a bar gig when it came up on the venues TVs. I lost my way in the song :S
 
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