Spluff
Saras
Would he use a Rangefinder? Would he ponder the permanence of photographs or the impermanence of the moment we captured? Would he delight in different focal lengths to tell the same story in many different ways, or how aperture changes our perspective? And how we manipulate light, not through imagery with words, but through the materials we use. Would he be any less an artist or a greater one with a camera?
A few weeks ago one of our members mentioned on a thread that they had nobody to pass their stories on to, or to share the images they had made. I cannot get that thought out of my mind, and I am now left wondering, for whom do I take pictures for? Like a character in a Shakespearean play, where before there was playful delight, there is now ambiguity, uncertainty and rhetorical contemplation.
And so I think of all the great literary geniuses over the centuries. What would Dante, or de Cervantes, or Voltaire or Goethe or Tanizaki do with their camera? What meaning would they give to their lives, what would they be saying to us?
I ask, what meaning do you get from capturing that moment and who do you do it for?
A few weeks ago one of our members mentioned on a thread that they had nobody to pass their stories on to, or to share the images they had made. I cannot get that thought out of my mind, and I am now left wondering, for whom do I take pictures for? Like a character in a Shakespearean play, where before there was playful delight, there is now ambiguity, uncertainty and rhetorical contemplation.
And so I think of all the great literary geniuses over the centuries. What would Dante, or de Cervantes, or Voltaire or Goethe or Tanizaki do with their camera? What meaning would they give to their lives, what would they be saying to us?
I ask, what meaning do you get from capturing that moment and who do you do it for?