T
Tom Conte
Guest
First off, shooting with a rangefinder is a very, very different experience from a camera like my 1Ds. It is much more rudimentary. You are on your own a lot more. Where the 1Ds is a high octane athlete, the R-D1 feels as though it is a temperamental curmudgeon, but one worth talking to.
That being said, the images coming out of the R-D1 are very nice indeed. The rhythm of the shots is very good. This camera is not designed to be the pinnacle of digital photography. Rather's it's one of those "let's see if we can do it" devices. I knew a house of grad students when I was in college where they had an old TV cabinet. The guts had been pulled out, and a glass liner installed. Then they made it into a fish tank. It sat in the living room of their house where you'd put a TV in a 1960s model home, but of course there were fish, not a black and white image of Ed Sullivan. The R-D1 reminds me of that. It is the case and operation of a throwback rangefinder, but the guts are completely different.
If you are inclined to drive a manual transmission, if you perhaps wear a mechanical watch (bonus points for if it is handwound instead of automatic), if your hobby is woodworking and you know what a #7 is for vs. a #5, chances are you are a candidate for owning an R-D1. If you look at it purely technically, though, and you have no emotional attachment to rangefinders, get a 'regular' digicam (I hear the new G6 is good) instead.
In sum, the R-D1 is both modern inside and a throwback outside. The first truly 'postmodern' camera I've seen.
So onto some of the 'odd/annoying things' I've noticed that perhaps other owners have seen:
* When the LCD is on, if you tilt the camera past say horizontal, it will turn off. I have no idea why this would be the case. The camera does not have an image orientation sensor. But something is sensing the change and adjusting.
* The battery life is not all that great, closer to say the original Canon 1D than (for example) a 10D or 20D. My hunch is they found something that fit in the space remaining and made it work. Definitely get a spare. I ordered mine from mydigitaldiscounts (it's the same as a Fuji NP-80), but I understand there are other generics out there.
* The camera has a couple of hot pixels. Now, I know that every dense sensor will have a few. In the case of Canon, I surmise from people who have sent their cameras in for service and get back notes that the bad pixel has been 'remapped', that most digital cameras have a 'pixel list.' If the pixel is on that list, the information is replaced with information averaged from surrounding sensors. My hunch is that Epson just simply either did not do it, or did not do this in the factory. I plan to call their service dept and find out if they can do it with their firmware.
All this being said, it's just a wonderful little camera. It's hard to put down. Is it worth $3000? To you woodworkers: is a Lie Nielsen #7 worth $425 when the same amount of money would buy a nice dewalt 13" benchtop planer? Yes, for me, definitely, but it's a personal choice.
I'd be interested to hear from others about their experiences and thoughts.
Tom
That being said, the images coming out of the R-D1 are very nice indeed. The rhythm of the shots is very good. This camera is not designed to be the pinnacle of digital photography. Rather's it's one of those "let's see if we can do it" devices. I knew a house of grad students when I was in college where they had an old TV cabinet. The guts had been pulled out, and a glass liner installed. Then they made it into a fish tank. It sat in the living room of their house where you'd put a TV in a 1960s model home, but of course there were fish, not a black and white image of Ed Sullivan. The R-D1 reminds me of that. It is the case and operation of a throwback rangefinder, but the guts are completely different.
If you are inclined to drive a manual transmission, if you perhaps wear a mechanical watch (bonus points for if it is handwound instead of automatic), if your hobby is woodworking and you know what a #7 is for vs. a #5, chances are you are a candidate for owning an R-D1. If you look at it purely technically, though, and you have no emotional attachment to rangefinders, get a 'regular' digicam (I hear the new G6 is good) instead.
In sum, the R-D1 is both modern inside and a throwback outside. The first truly 'postmodern' camera I've seen.
So onto some of the 'odd/annoying things' I've noticed that perhaps other owners have seen:
* When the LCD is on, if you tilt the camera past say horizontal, it will turn off. I have no idea why this would be the case. The camera does not have an image orientation sensor. But something is sensing the change and adjusting.
* The battery life is not all that great, closer to say the original Canon 1D than (for example) a 10D or 20D. My hunch is they found something that fit in the space remaining and made it work. Definitely get a spare. I ordered mine from mydigitaldiscounts (it's the same as a Fuji NP-80), but I understand there are other generics out there.
* The camera has a couple of hot pixels. Now, I know that every dense sensor will have a few. In the case of Canon, I surmise from people who have sent their cameras in for service and get back notes that the bad pixel has been 'remapped', that most digital cameras have a 'pixel list.' If the pixel is on that list, the information is replaced with information averaged from surrounding sensors. My hunch is that Epson just simply either did not do it, or did not do this in the factory. I plan to call their service dept and find out if they can do it with their firmware.
All this being said, it's just a wonderful little camera. It's hard to put down. Is it worth $3000? To you woodworkers: is a Lie Nielsen #7 worth $425 when the same amount of money would buy a nice dewalt 13" benchtop planer? Yes, for me, definitely, but it's a personal choice.
I'd be interested to hear from others about their experiences and thoughts.
Tom