Noserider
Christiaan Phleger
Over the years I've used a few Tamron's on Olympus and Nikon bodies, mostly the 300mm 60b and the 28mm f/2.5 02b with copy work with the 90mm f/2.5 52b. A couple of the forgettable mid-tele zooms but not the really good zooms (stop tempting on the 24-48mm please).
The best was the 300mm f/2.8 60b, in the early's I used one for about a month with Olympus and then switched to Nikon. After about 3-4 months total with the lens I got a crazy good deal on a Nikkor 300mm f/2.8 (which I really wanted) and I sold the 60b to another stock shooting pro who went on to shoot many long lasting tourist type images with it. That 60b with the strongly saturated Fuji slide films of the 1980's-90's had such pop to the colors. It looked amazing on the slide table and in prints but the aging presses couldn't handle the full gamut for newsprint and the result looked like poop on the newsstand so that was a reason I was more happy with the Nikkor 300mm. The ED glass with a more balanced multicoating coupled with me going back to lower saturation Kodak slide film (EPD at 200 if you care to note) meant the presses could back off the ink and the paper's cover could look good again. As an aside; the stock photog I sold the Tamron to had her stuff printed on glossy hard stock which really could use the high saturation with the strong fuji films and those images you can still see for sale today.
The best was the 300mm f/2.8 60b, in the early's I used one for about a month with Olympus and then switched to Nikon. After about 3-4 months total with the lens I got a crazy good deal on a Nikkor 300mm f/2.8 (which I really wanted) and I sold the 60b to another stock shooting pro who went on to shoot many long lasting tourist type images with it. That 60b with the strongly saturated Fuji slide films of the 1980's-90's had such pop to the colors. It looked amazing on the slide table and in prints but the aging presses couldn't handle the full gamut for newsprint and the result looked like poop on the newsstand so that was a reason I was more happy with the Nikkor 300mm. The ED glass with a more balanced multicoating coupled with me going back to lower saturation Kodak slide film (EPD at 200 if you care to note) meant the presses could back off the ink and the paper's cover could look good again. As an aside; the stock photog I sold the Tamron to had her stuff printed on glossy hard stock which really could use the high saturation with the strong fuji films and those images you can still see for sale today.




