My timeless gift to Leicaphiles
My timeless gift to Leicaphiles
I just returned from ten days in Italy’s blazing sun and since this was the last kind of my “usual” habitats in which I needed to test the DP2 I decided to update this thread.
A while back I started this thread with a series of posts on the DP2 in order to give other RFFs a possibility to learn a bit more on how this box is behaving when used as a rangefinder style camera. I have tried to use a style I would appreciate with some dwelling on the negatives (no pun intended) and hopefully not too much fan boy crooning although I am fond of the Foveon look. The DP series cameras have attracted quite a lot of criticism but also a cult following which, to my eyes, is only rivalled by Ricoh users and of course Leicaphiles. My move towards the DP series started about a year ago after sitting heavily on the fence for a prolonged period when an official dealer dumped DP1-cameras on ebay.de for next to nothing. I quickly came to both hate and love that camera. Although I found the 28mm too wide on many occasions I held back buying a DP2 until the 1.04 firmware improved the AF enough to make it workable. It is now. And thus I summarize the use of the camera in a 13-point evaluation.
1. The lens/sensor delivers beautiful pictures rivalling DLSRs. To me there is a certain Foveon 3D effect. Different from the Zeiss colours and Leica glow it is there – very chrome like.
2. The size/weight ratio is perfect and it is not too intrusive. You certainly do look like a tourist.
3. The size of the camera actually tends to fool even me – sometimes I forget the shallow depth of field at maximum aperture… The somewhat cumbersome (much improved over the DP1) handling is not exactly helping you out here.
4. My usual keeper rate with a DSLR (about 1 in 36) is achieved. The camera generally delivers when you learn how to use it and double check (acoustically) for auto focus achieved.
5. The screen is actually quite good even in the Mediterranean sun. You still need an optical viewfinder, but you can get by composing without with some care. There are not too many digicam sized cameras that allow you to do that.
6. With the hood mounted even very strong side lighting (almost) never causes (ruining) flare.
7. The green cast is not a problem at lowish ISO values in practical shooting situations but may (sometimes) be at higher ISO values.
8. Using high ISO BW raw conversion via Sigma’s software yields surprisingly noise free pictures. It is a great BW camera.
9. It is also like using a film camera! You have to decide whether you want to shoot “general subjects” (AF, low ISO, multi-metering) or “street” (MF, higher ISO, spot/centre weighted metering) before heading out. Changing between these in the heat of the moment is (to me) impossible. A “my mode” that would allow you to pre-select MF/higher ISO/spot metering would do wonders.
10. When using MF the shutter lag is so short it is irrelevant. So with high ISO, BW, and a small aperture it is a great street photography camera (see point 11 though).
11. Even at f2.8 my hands beg for the next iteration of DP-cameras to have vibration reduction. Raising ISO when shooting colour may result in a green colour cast so it normally not advisable. Even a measly two stops improvement from VR would be wonderful. I admit to having shaky hands, but, judged on many a posted picture, so do most people of my age (very old, more than 40).
11.1 I just read in the comments on photographyblog's review of the SD15 that the Foveon sensor is more exposed to shake - perhaps because of the layered layout? The fact that the DP is quite prone to shake compared to other small digicams I had previously thought was a function of the much bigger sensor size. But maybe not. Anybody with info on this please chip in.
12. ###THIS MAY NOT BE THE CASE### As pointed out below by wgerrard it may be that the capacitor just ran out of juice. Quite surprising to me since it has never been the case with the DP1. Thus 12.1 replaces what is now separately written in 12.2. I keep it so that people can understand wgerrard's comments.
12.1 Well, my carefully crafted timeless argument must instead be on the timeless black brick design ;-)
12.2 [[[Most likely incorrect: Regarding the “timeless” in the title of this post: In Italy the camera suddenly locked up and removing and reinserting the battery was the only way out. I did not check the date/time and that was a mistake. For unknown reasons the camera had decided to travel back in time (to the beginning of 2009), so I had to change the capture date stored in the raw files after transferring the files – boohoo! Although LR does automate part of the job it was still a boring chore early in the morning when seeing the results was all that mattered.]]]
13. Change battery when you change a 2 GB card. The battery life is that poor. On the plus side it does not seem to be related to weather conditions. And, mind you, my batteries have been broken in.
The title is not meant to upset anybody. I have great veneration for Leica but basically I am not ready to devote the money needed to buy an M9 (so I have an R-D1s) or an X1 (so I have the DP2.1.04). Because basically the DP2 is good enough. I am not claiming the DP2 is superior to the X1. In fact in ultimate IQ I am pretty sure it is not. And at high ISO I am certain it is not. The X1 is much better. But the ability to get a small camera (and a handful of batteries and then some) with an APS sensor at less than half the price of the X1 makes it the best trade off between price and quality currently – of that I am sure. For me at least. But I reckon many have the same needs I have.
It is bad for Sigma’s business, but unless they market a Foveon based EVIL camera of about the same size I am staying with the DP1 and DP2. But, Sigma, you can make money from me nevertheless. Just release the 90mm f2.8 DP3, please. Photokina 2010 perhaps 😉
/Xpanded