x-ray
Veteran
I'm not a newcomer to photography, I've been around the block more than a few times. I've been pulling B&W negs from my archive recently and scanning at high res to make 24" prints for a client. I guess I've looked through 10,000 images and scanned about 400. I find myself at a crossroad now. I've been involved with photography since 1953 when I Mage my first images and been a full time professional photographer since1968.
Scanning and closely examining these images made me aware that my best images are often not my best images technically. The images weren't always tack sharp and didn't always have great tonality but the stood out from the other thousands as Bering something special.
I'm at a crossroad now. My entire career has demanded perfection to satisfy clients. I worked at achieving perfection so much I think a lot of my more recent work has become sterile and lacks emotion or at least the depth and emotion of my earlier work.
I believe te search for the perfect lens and ultra clean digital files has contributed to this. I feel digital is simply too clean and lenses too perfect for my style. The sou has technically been removed from my work.
What I'm doing is retiring from my commercial work to extend and promote my art and documentary work. I'm returning to film from digital for most of this and selling my M9 and current glass and my Hasselblad digital and returning to more vintage glass and film. I'm seeking the imperfect world I knew in the 60's and trying to regain my soul. I want to shed the shackles of pixel peeping and get back to real grain and grit.
Have you had such thoughts?
Scanning and closely examining these images made me aware that my best images are often not my best images technically. The images weren't always tack sharp and didn't always have great tonality but the stood out from the other thousands as Bering something special.
I'm at a crossroad now. My entire career has demanded perfection to satisfy clients. I worked at achieving perfection so much I think a lot of my more recent work has become sterile and lacks emotion or at least the depth and emotion of my earlier work.
I believe te search for the perfect lens and ultra clean digital files has contributed to this. I feel digital is simply too clean and lenses too perfect for my style. The sou has technically been removed from my work.
What I'm doing is retiring from my commercial work to extend and promote my art and documentary work. I'm returning to film from digital for most of this and selling my M9 and current glass and my Hasselblad digital and returning to more vintage glass and film. I'm seeking the imperfect world I knew in the 60's and trying to regain my soul. I want to shed the shackles of pixel peeping and get back to real grain and grit.
Have you had such thoughts?