David_Manning
Well-known
I was made aware of this Japanese photographer through the Time.com LightBox, where he currently has a photoessay published from Eastern Europe.
Here is a link to work he did in France, and on his website he thanks Kodak for it's generous support of his Tri-X shooting:
http://kosukeokahara.com/stories/chance-e/index.html
I like the look and thought I'd share.
Here is a link to work he did in France, and on his website he thanks Kodak for it's generous support of his Tri-X shooting:
http://kosukeokahara.com/stories/chance-e/index.html
I like the look and thought I'd share.
RanceEric
The name is Rance
Some great photographs in that set. I really like #6, especially. Thanks for sharing!
David_Manning
Well-known
Just received an email from Kosuke...this was his response to my questions about cameras and workflow...
*snip
hi David
Thanks for taking look at my photos.
here I answer your question.
I use 2 leica M7 for my film shooting which I always do when I shoot my projects.
even for Color, I do shoot with Leica, sometimes Mamiya 6 and 7.
but for assignments now a days, I shoot mostly digitally in color since I have to transmit images within a day ( especially for newspapers).
analog photography is getting more expensive ever. films are not that expensive but paper is a lot more expensive than before and
there is a lot less chemical available especially in Japan.
I still like something tangible and it makes me different feeling.
also with Negative, I can get very wide range of tone which I cannot get with digital when the light is harsh.
I also have Fuji x -100. it's a nice camera. I enjoy it too
take care
best
kosuke
*snip
Be sure to take a look at all his work...very nice.
*snip
hi David
Thanks for taking look at my photos.
here I answer your question.
I use 2 leica M7 for my film shooting which I always do when I shoot my projects.
even for Color, I do shoot with Leica, sometimes Mamiya 6 and 7.
but for assignments now a days, I shoot mostly digitally in color since I have to transmit images within a day ( especially for newspapers).
analog photography is getting more expensive ever. films are not that expensive but paper is a lot more expensive than before and
there is a lot less chemical available especially in Japan.
I still like something tangible and it makes me different feeling.
also with Negative, I can get very wide range of tone which I cannot get with digital when the light is harsh.
I also have Fuji x -100. it's a nice camera. I enjoy it too
take care
best
kosuke
*snip
Be sure to take a look at all his work...very nice.
gavinlg
Veteran
Love this guys work. Thanks!
paulfish4570
Veteran
lovely, lovely photographs, and superb "prints."
tell your friend he has a fan in alabama.
tell your friend he has a fan in alabama.
raytoei@gmail.com
Veteran
thanks for sharing. excellent photos. a one-man bang bang club,
Archiver
Veteran
Indeed, this guy is very good. I love the look of his images. Thanks, David.
Edited to add: I've just looked at his other stories. They are incredible, and he's also got balls of steel to shoot some of them. His photos of civil unrest in Thailand are up close and personal with rioting nutcases. And his story about abused women in Japan is very poignant and moving. Great find.
Edited to add: I've just looked at his other stories. They are incredible, and he's also got balls of steel to shoot some of them. His photos of civil unrest in Thailand are up close and personal with rioting nutcases. And his story about abused women in Japan is very poignant and moving. Great find.
Last edited:
pachuco
El ****
Great link. Really amazing work.
David_Manning
Well-known
I asked Kosuke what he thought about the X100 specifically, since I traded my M6 for one. This is his reply:
*snip
Hello David
Regarding X100 I used it a lot for my assignments this year.
it worked really well.
best
kosuke
*snip
*snip
Hello David
Regarding X100 I used it a lot for my assignments this year.
it worked really well.
best
kosuke
*snip
clachnacuddin
Established
Great work there, thanks for sharing the link.
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