You must check out the documentary that came out this year, Apollo 11. It's amazing.
Oh -- you mean that special film that didn't melt under 260 degree Fahrenheit daytime temps on the moon and the Hasselblad that operated under the same temps they alleged to take pictures with with almost no modifications to the off the shelf design?
By the time of Apollo, Hasselblad and NASA were working hand-in-hand to produce the 500EL, suited for long-duration flight and the vagaries of the lunar environment. The manufacturer built a high-capacity film holder, while Eastman Kodak invented a thinner film emulsion — a combination that resulted in getting hundreds of shots out of a single magazine.
For the 500EL "Lunar Surface Data Camera," a motorized film advance was added, as was something called a Réseau plate — a piece of glass placed near the film plane that imprinted cross marks on the negatives. The crosses can be seen on many of the moon photos. They allowed for correcting film distortion and helped in judging sizes and distances of objects, "because on the moon, there's no recognizable landmarks — there's no telephone poles or houses in the distance," says Rise.
The shutter button and other controls were made larger for ease of operation wearing the thick protective gloves of the moon suit, and astronauts were given suggested exposure settings for a variety of scenarios. Among other modifications, a special lubricant was produced that could withstand the huge temperature swings of the lunar surface.
Like the earliest Hasselblad carried on the final Mercury flights, the Data Camera lacked a conventional viewfinder. Instead, astronauts went through training on Earth to learn how to aim the camera by feel from chest-level, where it was attached to the spacesuit.
Almost no modifications? The Hasselblads were heavily modified, including:
So, let's see. Bigger controls so they could operate the camera with their gloves. And something that prints a +, and a magazine so they didn't have to change rolls.
Minor mods, I say.
But what I want to know is the formula for that "special lubricant"(tm) that enabled the camera to withstand sustained 260 F heat and remain operational. That must have been some helluva "special lubricant"! I wonder what Kodak developed to keep that film from turning to goo?
Is that a roundabout way of implying that the lunar landings were a hoax?
What camera operates in 260 F heat? Oh. Forgot. They used a "special lubricant". Try this. Take some roll film, preheat your oven to 260 F and leave it in there for several hours. Then get back to me.
What camera operates in 260 F heat? Oh. Forgot. They used a "special lubricant". Try this. Take some roll film, preheat your oven to 260 F and leave it in there for several hours. Then get back to me.
Peter, do you have a link to the documentary by any chance?
What camera operates in 260 F heat? Oh. Forgot. They used a "special lubricant". Try this. Take some roll film, preheat your oven to 260 F and leave it in there for several hours. Then get back to me.