Juan, I am not sure where you're going with this. And who are you referring to as "the world?"
I remember other discussions on this topic with you involved on the RFF and to keep the thread on the rails, I think it's best to agree to disagree. I am not changing my mind any time soon. I have been a "street photographer" for over 25 years.
I don't think of myself as an urban landscaper
😱.
On the street, I worry about getting great images, which is hard enough without thinking about your definitions, which I don't agree with and never will.
Like I said, you are not calling the shots on what is and what is not a street photo. Call your own photos whatever you like. I get to name mine. If that's okay? Some things won't fit into your little box. The fact you keep bringing this up must mean it really bothers you?
Who cares? And what does it contribute to the topic at hand. I think it's better to move on. Especially since if you choose to drop it, I have the last word on the subject
😛.
No seriously, I really feel that these definitions are barriers to taking great images.
On the street, there is often so little time to get the image. And when it's gone, and you (or I) missed it, there is a profound sense of loss I can't even describe. All I know is that the best images are yet to be taken.
I look forward to some other members' showing their images of "street photography," and reading their thoughts on the subject at hand.
Nikkor 24 2.8 AIS on F2AS Tri-X
Nikkor 16 mm 2.8 AIS on F2AS
Taken with the 35 mm Rollei with 40 mm lens on Tri-X
Nikkor 85 2.0 AIS on F2AS on Tri-X
Nikkor 135 2.0 AIS on F2AS
Getting back to the topic at hand, I really feel that it's important to get "in the zone" when street shooting in order to reach the highest level that one is capable of achieving.
I am sure it's different for everyone but for me, it's a relaxed concentration and heightened sense of awareness.
There is a sense of being connected to everything and yet being able to single out what is important and yet keep the big picture in mind at the same time. And all the while, getting the decisive moment, proper exposure, composition ...OO.
Nikkor 8 mm 2.8 AIS on F2AS
For me, this shot was a pivotal moment in my journey as a street photographer as I moved in and got behind Rick Hansen. The press photographers were yelling at me to get the hell out of their picture (being a street photographer, I didn't care :angel
🙂.