AFAIK, you can actually use movie film in 35mm cameras. The width and sprocket holes are the same.
I wish I could shoot colour motion picture stock...
In a sense, you actually are: read the tech sheets for the new Ektar 100, and a few previous emulsions, and you'll see that we still-film shooters are benefiting a
lot from motion-picture film technology. In the case of 35mm, we've been joined at the hip with Hollywood from the get-go, whether we like the idea or not (I
do, but only if I get to pick my favorite directors; list available on request
😉).
I wish Kodak well. I wish film well. But I don't get excited when I read press statements that reaffirm Kodak's commitment to photographic film. If I had just rewritten my amortization rules to keep my aging equipment for another five years when it is already at 'end of life', I'd talk it up too.
Bill, I keep wanting to refer to you as the Alan Greenspan (as opposed to Philip Greenspun) of photography here at RFf. But, given recent economic and political events, I wouldn't want to sully
your name by linking it with Mr. Greenspan's, so I'm going to have to come up with someone else. You made some cogent points here.
If I ran Kodak, I'd be spending far more money promoting film. Advertising drives sales - I learned that delivering pizza. But that's just me 🙂
I actually think Rochester is finally getting this. To be fair, Kodak has "gotten" this marketing agenda from time to time, but have, to invoke a horrific pun, frequently lost focus. They would do well to study the Big Three in Detroit, and get a close look at what lack of focus can do to a company in record time.
Steve Jobs once said, more or less, that for Apple to succeed, Microsoft need not fail. The whole film/digital paradigm could use a sizable dose of this thinking.
And, yes, by association,
I'm betting on film as well, as it's the medium I most prefer to work in.
- Barrett