Johnmcd
Well-known
I decided to start a new thread concerning my recent use of Kodak Hawkeye surveillance B/W film. I now have the equivalent of 120 rolls ready for bulk loading so I am keen to develop a workflow that gets the most from this interesting film.
My first foray involved exposing it at 100 iso by mistake (http://www.rangefinderforum.com/forums/showthread.php?t=143569). I ended up with some flat, low density negs that scanned well enough.
I then exposed the next film at 400 iso and developed with TMax 1:4 at 5.5 mins which was recommended for normal contrast by the spec sheet. These negs looked identical to the first lot that I 'pulled' with Rodinal 1:50 also at 5.5 mins!
The image below shows a 'normal' density set of negs on the light box next to the Hawkeye negs.
I printed some last night in the darkroom and while I got some nice results I had to dial up the filters to contrast 5 equivalent to get some 'punch' in the print so it would look like the scan below. BTW, the film has beautiful grain and is exceptionally sharp.
This doesn't leave me a lot of leeway when wet processing. Therefore I would like to try and get a denser negative in the first place but without sacrificing grain size and sharpness if possible.
Any suggestions or developing combinations would be greatly appreciated.
Cheers - John
My first foray involved exposing it at 100 iso by mistake (http://www.rangefinderforum.com/forums/showthread.php?t=143569). I ended up with some flat, low density negs that scanned well enough.
I then exposed the next film at 400 iso and developed with TMax 1:4 at 5.5 mins which was recommended for normal contrast by the spec sheet. These negs looked identical to the first lot that I 'pulled' with Rodinal 1:50 also at 5.5 mins!
The image below shows a 'normal' density set of negs on the light box next to the Hawkeye negs.

I printed some last night in the darkroom and while I got some nice results I had to dial up the filters to contrast 5 equivalent to get some 'punch' in the print so it would look like the scan below. BTW, the film has beautiful grain and is exceptionally sharp.

This doesn't leave me a lot of leeway when wet processing. Therefore I would like to try and get a denser negative in the first place but without sacrificing grain size and sharpness if possible.
Any suggestions or developing combinations would be greatly appreciated.
Cheers - John