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Pune: After setting up a film processing laboratory in New York, where all the laboratories had shut down, and acquiring another one in London, Kodak is all set to revive the infrastructure around film stock in India. Christian Richter, director (sales and marketing), Asia-Pacific, talks to TOI:
What brings you to India?
We see an analogue resurgence, which we call analogue renaissance, around the world. The climb of films that we have sold has reverted the trend and that is the trend that we want to bring to India. I have come here to study the market and talk to the stakeholders so that we can build required infrastructure around film and provide filmmakers with options that if there is digital cinematography, they can also go back to shooting on film. We already have a distributor in Mumbai. I am also here to see how film can be used as an archival medium.
Why promote film after Kodak was dissolved in 2012?
Kodak went through quite challenging times as an overall company. The motion pictures part as well. It went into a chapter 11 in 2012 in the US. We had to reorganize and reshape the company. At that point in time, we saw a decline in films and we weren't quite sure where the decline stopped. So, at one point around 2013 and 2014, we were not sure if we can keep the factory going and if it will have enough use. What we have done is we have consolidated our footprint.
In India, we think we pulled out prematurely which sent a wrong message into the market. While in the background, when we reached out to the filmmakers in the world, we realised there is a big demand for film which gives us the option to provide a sustainable model. But this decision as far as India is concerned was wrong. So, now we have to reverse this process. We have to make sure that we can prepare an infrastructure that works for us and the filmmakers. We are going to have film laboratories and facilities you need. Film stock will be available at your fingertips.
What brings you to India?
We see an analogue resurgence, which we call analogue renaissance, around the world. The climb of films that we have sold has reverted the trend and that is the trend that we want to bring to India. I have come here to study the market and talk to the stakeholders so that we can build required infrastructure around film and provide filmmakers with options that if there is digital cinematography, they can also go back to shooting on film. We already have a distributor in Mumbai. I am also here to see how film can be used as an archival medium.
Why promote film after Kodak was dissolved in 2012?
Kodak went through quite challenging times as an overall company. The motion pictures part as well. It went into a chapter 11 in 2012 in the US. We had to reorganize and reshape the company. At that point in time, we saw a decline in films and we weren't quite sure where the decline stopped. So, at one point around 2013 and 2014, we were not sure if we can keep the factory going and if it will have enough use. What we have done is we have consolidated our footprint.
In India, we think we pulled out prematurely which sent a wrong message into the market. While in the background, when we reached out to the filmmakers in the world, we realised there is a big demand for film which gives us the option to provide a sustainable model. But this decision as far as India is concerned was wrong. So, now we have to reverse this process. We have to make sure that we can prepare an infrastructure that works for us and the filmmakers. We are going to have film laboratories and facilities you need. Film stock will be available at your fingertips.