CharlesDAMorgan
Veteran
I have enjoyed many photos I seen shot on movie film, which is handspooled in the UK by Nik and Trick among others. I bought 3 rolls of 30 from them, plus remjet remover, but did developing at 38C using a normal C41 Tetenal kit.
Remjet removal was OK, but too vigorous a flow of water caused the funnel end of the Paterson tank to lift letting in some light. In all I did three rinses before moving on to developer, then blix, followed by removing the film from the reel and six rinses without touching the emulsion - not fun. Then I respooled the film for the stabiliser.
Apart from the light leaks, there was an awful lot of smearing on the film - I can only assume from left over Remjet. My water is very hard and despite some photoflo in the stabiliser, I think the combination of remjet residue and hard water led to a lot more watermarks than I'm used to - I do all my own BW and C41 without real issue.
Gorgeous colours if properly exposed though (all on Leica M3 with Summaron 35mm f2.8) but any tips to avoid the smears found on photo 2 very welcome!
Brill Windmill
lots of visible smears/marks bottom right
Remjet removal was OK, but too vigorous a flow of water caused the funnel end of the Paterson tank to lift letting in some light. In all I did three rinses before moving on to developer, then blix, followed by removing the film from the reel and six rinses without touching the emulsion - not fun. Then I respooled the film for the stabiliser.
Apart from the light leaks, there was an awful lot of smearing on the film - I can only assume from left over Remjet. My water is very hard and despite some photoflo in the stabiliser, I think the combination of remjet residue and hard water led to a lot more watermarks than I'm used to - I do all my own BW and C41 without real issue.
Gorgeous colours if properly exposed though (all on Leica M3 with Summaron 35mm f2.8) but any tips to avoid the smears found on photo 2 very welcome!
Brill Windmill

lots of visible smears/marks bottom right
