raydm6
Yay! Cameras! 🙈🙉🙊┌( ಠ_ಠ)┘ [◉"]
Anyone have any experience with this B&W European ISO 64 - and I believe - repackaged motion-picture film? Didn't see any reference here on RFF:
https://konomanufaktur.com/shopnow/kono-monolit-64-35mm-film
It's listed on Freestyle and B&H but no reviews.
Image examples:
https://duckduckgo.com/?t=ffcm&q=KONO!+MONOLIT+64&atb=v226-1&iax=images&ia=images
https://konomanufaktur.com/shopnow/kono-monolit-64-35mm-film
It's listed on Freestyle and B&H but no reviews.
Image examples:
https://duckduckgo.com/?t=ffcm&q=KONO!+MONOLIT+64&atb=v226-1&iax=images&ia=images
relistan
Established
Didn't know about it but it looks like surveillance film. Pretty interesting for certain shots, though! It appears to be the same Astrum/Svema stock as https://filmphotographystore.com/pr...vema-fn-64-1-roll?_pos=1&_sid=86bd38bca&_ss=r
charjohncarter
Veteran
I've used surveillance film and find it very tricky. I could never get a wet print that I liked. But when digital editing came along I at least could get something that was acceptable. Some of them had their own developer to extend tones, the last roll I did was Kodak Technical Pan (EI 16) I had to used Rodinal either 1+150 or 1+300. Before that was Blue Fire Police and I used (EI 10) and HC110 1:125.
They both worked but I had to use curves to get the mid-tones close. Therefore I hope this isn't surveillance film
They both worked but I had to use curves to get the mid-tones close. Therefore I hope this isn't surveillance film