Kristian Dowling Compares fast normals on Steve Huff

First time I've ever seen images with the original Hexanon 60mm. They look really beautiful. I think overall from these samples of all the lenses it has the nicest render wide open for portraits. Would like to see some images at f1.4-f4. Just from curiosity though not as an assessment to make a purchase. I'll never find one or even be able to afford one if I did.
 
I think I'm the only one not impressed with the Hexanons.

And I wonder how he decides on the street prices. By the way, the street price on my Summar is now $6500. It has remarkable rendering, contrast, and flare resistance. Really. 😉

I found the f1.2 noctilux to be kinda funky. Center 1/3 pretty sharp, but an almost instant falloff in resolution outside of that area. With most older lenses things change gradually across the frame. It still had this characteristic to some extent till f4. It is resistant to flare, even better than the f1 noctilux.

If it were me, I'd get the f1 noctilux (when I'm in the mood for the funk) and f1.4 summilux asph and still have some cash left over.
 
I regret not buying a Noct f1 i tried out a few years back but only because of the fourfold value increase.
To my eye they all get in the way of the photograph, you look at the shallow dof and swirls of background before you think about the subject, i've always thought of them as being very Nigel Tufnel.
 
I wanted a Noctilux for the longest time, but after this test, as well as some other examples I've been observing, I'd rather have sharpness over how creamy the bokeh can get.

The images in the test look alright to me. I seem partial to the f1 noctilux results more.
Even then, I'm not all excited about it. I agree with Raid that the 1.4 is better suited. To me it is a good compromise between both worlds. I have been loving my 35 summilux.

Although lately, perhaps it's just not my style to blow out the background as much as possible.
 
Thanks for sharing Andy, an overall interesting comparison BUT :
In order to evaluate lenses with such a shallow DOF for "sharpness" i.e. accurate focus on a particular camera especially digital, lenses and camera need to be matched/adjusted.
My 1/50 wasn't really focusing properly all that well on my M9. I was never doing some serious evaluation before on film but on digital you just play around and you discover that it is off a bit (back focus). After the adjustment (and 6bit coding) it is spot on.
I see that you won't adjust (or aren't allowed) a whole set of lenses for testing purposes but then he needs to ommit a "sharpness ranking".
 
A rather unique comparison of some sought-after lenses but I would not go that far and "rate" the tested copies for performance like sharpness, contrast etc. because there is always the possibility of sample variation and human error when trying to focus. Especially when using a sensor-equipped camera as recording medium slightest mis-alignments have a much larger impact then on film.

I would like to have seen some sample photos taken at night though. The Noctilux 50/1.0 is really good in resolving shadow details (especially using color-film) in dim light and it would be nice to see how the other lenses compare.
 
MikeL said:
And I wonder how he decides on the street prices. By the way, the street price on my Summar is now $6500. It has remarkable rendering, contrast, and flare resistance. Really. 😉
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I think that "street price" of > $12k is way over the top - given that recent ones have sold for $8k (which is shocking enough). Maybe he plans on selling one, and that will be his eBay BIN price!
 
Does anyone here own the Nokton and uses it on an M9 or Monochrom? I've been sitting on the fence about buying one, as the Noctilux is out of reach at the moment (spent all my $$$ on the Monochrom!).

Regardless of its more affordable price, is it a good lens?
 
gdi said:
In think that "street price" of > $12k is way over the top - given that recent ones have sold for $8k (which is shocking enough). Maybe he plans on selling one, and that will be his eBay BIN price!
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The v1 60mm f1.2 has sold recently at over $12K. I think that is what was being referred to. This is a unique chance to see all these high performance pieces in a side by side comparison. Prices are determined by Rarity vs demand nothing more.
 
He was always wrong with his "noctilux f1.0 being a one-trick pony" assertion. He had a lemon and tried so hard to make it the truth. And about Yanidel being "responsible for raising the price of the Konica"? No. No way.

IMO, he is trying too hard to push that konica. I'd never pay more then 3-4000$ for it. Fake cult status, Imo.

I really like the noctilux f1.2!
 
f16sunshine said:
The v1 60mm f1.2 has sold recently at over $12K. I think that is what was being referred to. This is a unique chance to see all these high performance pieces in a side by side comparison. Prices are determined by Rarity vs demand nothing more.
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No, he clearly states that the first version has a "street price" of over $13000 and the newer is over $12000. And there is only one thing that determines "street price" - and that is what someone e will actually pay.

Also, he refers to the Noctilux 1.0 as the "dream lens", of course the true Dream Lens is the Canon 0.95!
 
1.2 Noctilux easier to produce than the 1.0??😕 That guy needs to get his facts straight. The 1.0 Noctilux replaced the 1.2 one because the aspherical elements of the 1.2 lenses had to be hand-ground and were nearly impossible to produce.
 
Interesting to see two exotic M9s in the mix.

I personally like the Noct 1 and 0.95. Regrettably neither are in my future. I can't bring myself to pay that for a lens. I've thought about the Canon 1.2 which would do all I need, especially in B&W.

Its fun to look at these "tests".
 
jaapv said:
1.2 Noctilux easier to produce than the 1.0??😕 That guy needs to get his facts straight. The 1.0 Noctilux replaced the 1.2 one because the aspherical elements of the 1.2 lenses had to be hand-ground and were nearly impossible to produce.
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did he say that? pfffft!

many other factual errors as well...


Clint Troy said:
He was always wrong with his "noctilux f1.0 being a one-trick pony" assertion. He had a lemon and tried so hard to make it the truth. And about Yanidel being "responsible for raising the price of the Konica"? No. No way.

IMO, he is trying too hard to push that konica. I'd never pay more then 3-4000$ for it. Fake cult status, Imo.

I really like the noctilux f1.2!
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Yanick really did quite a bit to do with raising awareness (and prices) of the Konica. i used to go out shooting with him and got to play with it. whilst i liked it a lot, i didn't have the 2-3K it was going for then (and already had an E58 f/1 that i wasn't letting go of). the prices have gone into the obscene range and i agree that it really was brought into awareness by Yanidel, but more so by his Paris shooting.

the f/1, btw, is most definitely not a one-trick pony. i find f/2.8 one of its magic apertures (very sharp, very 3D) and have often shot with it stopped down even further as i have taken it as my one-and-only 50mm on trips. it has never disappointed me!

he has his dates wrong on the years for the f/1.2 and the f/1 as well. i know because i've researched a lot as i have one of the first 200 E58 f/1's (1975)... the glass on this one is definitely different and its character is somewhere between the f/1 and the f/1.2, a true gem (bought for less than 3K back then).


maddoc said:
A rather unique comparison of some sought-after lenses but I would not go that far and "rate" the tested copies for performance like sharpness, contrast etc. because there is always the possibility of sample variation and human error when trying to focus. Especially when using a sensor-equipped camera as recording medium slightest mis-alignments have a much larger impact then on film.

I would like to have seen some sample photos taken at night though. The Noctilux 50/1.0 is really good in resolving shadow details (especially using color-film) in dim light and it would be nice to see how the other lenses compare.
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i agree with all above, especially regarding night shooting... i find it pointless to compare these über-fast lenses during the day. these lenses where meant to be brought out at night and, imo, it is then that they really shine -- or fail.
 
icebear said:
Thanks for sharing Andy, an overall interesting comparison BUT :
In order to evaluate lenses with such a shallow DOF for "sharpness" i.e. accurate focus on a particular camera especially digital, lenses and camera need to be matched/adjusted.
My 1/50 wasn't really focusing properly all that well on my M9. I was never doing some serious evaluation before on film but on digital you just play around and you discover that it is off a bit (back focus). After the adjustment (and 6bit coding) it is spot on.
I see that you won't adjust (or aren't allowed) a whole set of lenses for testing purposes but then he needs to ommit a "sharpness ranking".
Click to expand...

Bingo. The eye crops clearly show these lenses are not focused at the same distance - look at the skin detail and especially the reflections in the woman's cornea - they are all over the place. On film I am pretty sure this would be a non-issue but with digital... of course pixel peeping is different to the "look" of the entire image but when it comes to lenses with such extremely shallow DOF it may well have subtle effects visible in a large print.
 
I had the good fortune to buy a Noctilux E58 f/1.0 recently for a great price.

I love the look wide open and stopped down. More than one trick for this pony.
 
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