latest additions to your library

Just got an email saying my copy of Minutes to Midnight was shipped out. Damn, I was going to cancel it; now I've got two copies. I guess I'll just send it back.
 
Found a 1995 copy of "Photo Op" by David Hume Kennerly and a 1972 copy of "Edouard Boubat" by Bernard George at a used bookstore on Saturday. Turns out he, like myself, is a member of the Class of '65. Have some misgivings about "Photo Op" mainly from the text. He seems to come off a little, I don't know, something that just sets me off a little. I get much more inspiration from Bryan Moss's "Photosynthesis".
 
Ponte City by Mikhael Subotzky by Patrick Waterhouse, published by Steidl

I've only just started reading it, but it is brilliant.

Brief write up on my blog for those interested.

I just received my copy too, and I agree with what you said. It's quite unlike any other photobook I've owned, in fact the closest book I can compare it to would be House of Leaves in the sense that you're constantly having to reorient your place in the book due to the detours the work as a whole takes.

Aside from Ponte City, I've added the following:
Rich and Poor - Jim Goldberg
Road to Seeing - Dan Winters
Okinawa - Daido Moriyama
 
Yeah, I can't wait to dig into it more. I felt sort of the same way about David Alan Harvey's (based on a true story), but I feel reluctant to scatter the prints around the floor and enjoy the randomness of it.

An old housemate of mine was reading House of Leaves as I left the place. How did you find it? I've been sort of interested in giving it ago.
 
Andy Sewell's new photobook "Something Like a Nest" – showing the peculiar relationship we English have with our countryside
 
Yeah, I can't wait to dig into it more. I felt sort of the same way about David Alan Harvey's (based on a true story), but I feel reluctant to scatter the prints around the floor and enjoy the randomness of it.

An old housemate of mine was reading House of Leaves as I left the place. How did you find it? I've been sort of interested in giving it ago.

I love it, some people find it frustrating due to the excessive footnotes which largely don't contribute much, but it's such a good use of the medium. I wouldn't class it as horror but there are parts that are unsettling, even disturbing, which the formatting really emphasises. Photography plays quite a big role in the book too. I'd recommend it, read through it in whatever manner you want - I just did it front to back like a normal book with detours whenever the footnotes/appendixes felt relevant. There are some coded messages in there as well, great fun.
 
I love it, some people find it frustrating due to the excessive footnotes which largely don't contribute much, but it's such a good use of the medium. I wouldn't class it as horror but there are parts that are unsettling, even disturbing, which the formatting really emphasises. Photography plays quite a big role in the book too. I'd recommend it, read through it in whatever manner you want - I just did it front to back like a normal book with detours whenever the footnotes/appendixes felt relevant. There are some coded messages in there as well, great fun.

Sounds good! I shall give it ago, thanks for writing up!
 
Salgado's 'Genesis'

The only photo book that I obviously just don't get. Couldn't stand it. There may be some great images in there, but they're outweighed by far too many way too similar images. I think it needs some serious editing, and would be a far more powerful book with far greater impact with 500 less images. Its like we just got a hard drive dump of all his keepers, rather than a thoughtful selection of images that cohesively tell a story. Sorry about the rant, but ahhhhhhh. I feel better now.

Michael
 
I have to check, maybe I'm at one of those photos...

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Skrebneski 'Portraits a Matter of Record' - a slightly battered second hand copy, no dust cover, for £7, about $12, including p&p from Amazon, a real bargain. Pages are just fine and some of the portraits ............. a great addition.
The book is nearly too big!
 
Salgado's 'Genesis'

The only photo book that I obviously just don't get. Couldn't stand it. There may be some great images in there, but they're outweighed by far too many way too similar images. I think it needs some serious editing, and would be a far more powerful book with far greater impact with 500 less images. Its like we just got a hard drive dump of all his keepers, rather than a thoughtful selection of images that cohesively tell a story. Sorry about the rant, but ahhhhhhh. I feel better now.

Michael
I was at the exhibition at the ICP in New York last weekend. Some of the pictures in the large are absolutely awesome but the exhibit as a whole is poorly curated. The book actually hangs together better than this particular exhibit.
 
I've bought 3 books the past 2 weeks, all great reads
Tao of Photography: Seeing Beyond Seeing
Herb Ritts: The Golden Hour: A Photographer's Life and His World
Hollywood Frame by Frame: The Unseen Silver Screen in Contact Sheets, 1951-1997
 
Wow, now even the ICP, Taschen, and Sebastiao Selgado don't know what they are doing in photography? Many of us should be so lucky to put out such a "poorly curated" exhibit and horrible edited book.
 
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