Papercut
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- Mar 17, 2008
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Tom,
I can see why you've liked his work for so long. Wonderful stuff. I only made it about half way through Voyages yesterday, but I really enjoy his use of space. While he does have some "fill the frame with the subject" shots, it's remarkable to me how often the figures in his photos are small, even tiny, with large areas of "empty" space (sky, sand, etc.) around them. As you said, it's "subtle and philosophical", most definitely not "in your face". I will be on the prowl for his other books from now on!
-- Kevin
I can see why you've liked his work for so long. Wonderful stuff. I only made it about half way through Voyages yesterday, but I really enjoy his use of space. While he does have some "fill the frame with the subject" shots, it's remarkable to me how often the figures in his photos are small, even tiny, with large areas of "empty" space (sky, sand, etc.) around them. As you said, it's "subtle and philosophical", most definitely not "in your face". I will be on the prowl for his other books from now on!
-- Kevin
Depardon has been a long time favorite of mine - he is not very well known in the US, but a bit of a "star" in France.
I like his understated way of seeing. Very subtle and philosophical. He is also one of the rareties among photographers - he is a very good writer. Over the years I have picked up a handful of his books - including "Voyages". He did a series of smallish, softbound books on New York, Sahara, travels in Ethiopia, San Clemente ( a mental asylum), La Litoral (coast of Bretagne), Retour a Vietnam and Errances ("wanderings") which he shot with a ALPA 6x9 and the 72 Schneidar lens (on Verichrome Pan no less - he must have kept a large stash of it).
Low key but thought provoking shooter. Enjoy Voyages and be prepared to have this sudden desire to throw some film and clothes in a bag, hang a Leica M3 with a 50mm lens on your shoulder and tell friends and family that you will be back sometime in the future to process the film!
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