way at the back in retirement; formerly bleeding edge
way at the back in retirement; formerly bleeding edge
I recently retired from a career in professional communications design in which still and motion photography were both significant elements of my work, and equipment acquisitions were nearly always bleeding edge. Not long ago I donated all of my pro digital gear to a local high school, and I'm exclusively shooting what I consider trailing edge of wing (12 year old Bronica rf645) and tail section medium format and 35mm gear retrieved from my closets.
In the early 60s, the inimitable poet and camera salesman at Chicago's Altman Camera, Selwyn Schwartz, put this poor college student onto a new Konica Autoreflex T with a 57mm Hexanon AR f1.4 lens. At the time I liked my results, but envied my UofChicago photographer friends, who all had more money than I did, and were shooting the Nikons and Leicas I aspired to get, and eventually did (the Leicas that is). Having never heard of the Konica before that, I thought I had settled for an inferior kit. I have just begun culling and reorganizing my personal chromes and negs from those early days and will now admit something I would never have done at any time before now. I have discovered those early negs have a quality that holds up against anything I've since shot with any other 35mm format lens, with my Noctilux the possible only exception. I now wish I'd not been so anxious to replace that gear and had a longer history of negatives from that lens.