jrose125
Established
I'm looking to pickup my first Barnack Leica in the next week or so (likely a IIIa or IIIc) and am having a bit of trouble narrowing down which lens I'd like to buy with the camera.
I do have personal experience with the Elmar 2.8 in M-Mount and did enjoy owning it, but am looking to hear opinions on the Elmar f/3.5 and Summitar f/2 specifically and if possible, how they compare to the Elmar 2.8.
Any comment, recommendation, or general thoughts on the matter would be greatly appreciated!
I do have personal experience with the Elmar 2.8 in M-Mount and did enjoy owning it, but am looking to hear opinions on the Elmar f/3.5 and Summitar f/2 specifically and if possible, how they compare to the Elmar 2.8.
Any comment, recommendation, or general thoughts on the matter would be greatly appreciated!
Ko.Fe.
Lenses 35/21 Gears 46/20
HCB has some experience with 50 3.5, he described it as totally enough for amateur.
But what does he knew about us.
Summitar is huge, soft glass which needs special adapter for protecting filter.
I think, HCB meant Summar
But what does he knew about us.
Summitar is huge, soft glass which needs special adapter for protecting filter.
I think, HCB meant Summar
Steve_Pfost
Established
Elmar 50 3.5 and Elmar 35 3.5 are real gems in my opinion.
Ccoppola82
Well-known
Never used a Summitar, but a nice 3.5 Elmar is awesome. Super compact and sharp enough. I think one could argue that it’s the lens that Leica started its reputation with. I have a Red Scale version and I’ve heard mixed things about whether there was an optical change at the red scale ones or not. I do like the M mount 2.8 Elmar as well, but the 3.5 is positively tiny In comparison. I have a couple images from the MP240 I could send you taken with the 3.5. Another consideration, if you can find it is the LTM Summicron. Or the 50mm Skopar 2.5 that has a vast thread on here as well.
maddoc
... likes film again.
For best image quality (or color film) I would recommend the CV 50/2.5. Not so easy to find but worth every penny. I am through three Elmar 50/3.5s now. One was OK to put it politely (the red-scale), one is quite OK and one (the oldest, non-coated) is outstanding. I had the red-scale Elmar first and always wondered what the fuss was about. I also had two Summitar lenses. One copy developed separation of the glued front group and the other was really nice. However, my favorite of the old 50mm lenses is still the Summar. If it is good or excellent condition (no haze!, few tiny scratches) then it is hard to beat for BW film.
In summary, in case of old(er) lenses really everything depends on condition but also the market has thinned out quite a bit. Therefore, some try and error might be required and it is better to have the possibility to be able to return the lens if it does not perform well.
In summary, in case of old(er) lenses really everything depends on condition but also the market has thinned out quite a bit. Therefore, some try and error might be required and it is better to have the possibility to be able to return the lens if it does not perform well.
WJJ3
Well-known
I owned and used the Elmar 5cm f2.8 and f3.5 versions for a couple years each, and now own a Summar. They are all great lenses. What the 3.5 Elmar lacks in ergonomics, it makes up for in compactness, and makes your screw mount Leica a very compact outfit. The 2.8 Elmar has better handling, and is still compact, as you probably already know.
FWIW, the Summar is my favorite among these lenses.
FWIW, the Summar is my favorite among these lenses.
shawn
Veteran
All three are nice lenses and will take good pictures.
As far as collapsible goes the Elmar 3.5 makes the most compact package on the camera as it adds a couple of mm of width to the camera when it is collapsed. On the flip side it is the least ergonomic of the lenses to use as the aperture is on the front and a little finicky to adjust. Whole lens rotates for focusing. Filter usage makes this more difficult.
If you tend to adjust your shutter for a given aperture this isn't a big deal. If you tend to adjust your aperture for a given shutter speed this slows you down. If you haven't shot a Barnack before understand setting the shutter on these is more finicky than most cameras. You have to advance the film before setting the shutter and then to set it you have to lift the dial and twist it to position and then drop it down. Can't really do it by feel like on a M camera. If you are trying to adjust to lighting quickly the Elmar/Barnack will be the slowest combination unless using a specialized hood with aperture control built into it.
The Elmar 2.8 gives a proper aperture dial, with click stops, but the whole lens still rotates with focusing so you might need to adjust the camera somewhat to see the setting. You can adjust it by feel though if you know the starting aperture based on the click stops. It collapses pretty compact but not to the degree of the 3.5.
With the Summitar it is the least compact collapsed. The entire lens doesn't rotate when focusing and it has a proper aperture ring but it doesn't have click stops so you can't adjust aperture by feel, you have to look at it. It is also somewhat easy to knock it out of position.
The Elmar 2.8 and 3.5 are more alike than not as far as rendering. Condition is going to make a bigger difference here. The 2.8s can get a haze on them from the aperture blades so make sure you check for that. The coatings are supposed to be pretty soft so check those too.
I haven't had the Summitar as long but it seems to have more character. More of the glow and when closer to wide open not as flat of a field so the center is sharp and gets softer to the sides. Different vintages have very different number of aperture blades so that will alter OOF areas when wide open.
Both the Summitar and 3.5 Elmar could be coated or not depending upon the vintage.
None are bad choices.
Shawn
As far as collapsible goes the Elmar 3.5 makes the most compact package on the camera as it adds a couple of mm of width to the camera when it is collapsed. On the flip side it is the least ergonomic of the lenses to use as the aperture is on the front and a little finicky to adjust. Whole lens rotates for focusing. Filter usage makes this more difficult.
If you tend to adjust your shutter for a given aperture this isn't a big deal. If you tend to adjust your aperture for a given shutter speed this slows you down. If you haven't shot a Barnack before understand setting the shutter on these is more finicky than most cameras. You have to advance the film before setting the shutter and then to set it you have to lift the dial and twist it to position and then drop it down. Can't really do it by feel like on a M camera. If you are trying to adjust to lighting quickly the Elmar/Barnack will be the slowest combination unless using a specialized hood with aperture control built into it.
The Elmar 2.8 gives a proper aperture dial, with click stops, but the whole lens still rotates with focusing so you might need to adjust the camera somewhat to see the setting. You can adjust it by feel though if you know the starting aperture based on the click stops. It collapses pretty compact but not to the degree of the 3.5.
With the Summitar it is the least compact collapsed. The entire lens doesn't rotate when focusing and it has a proper aperture ring but it doesn't have click stops so you can't adjust aperture by feel, you have to look at it. It is also somewhat easy to knock it out of position.
The Elmar 2.8 and 3.5 are more alike than not as far as rendering. Condition is going to make a bigger difference here. The 2.8s can get a haze on them from the aperture blades so make sure you check for that. The coatings are supposed to be pretty soft so check those too.
I haven't had the Summitar as long but it seems to have more character. More of the glow and when closer to wide open not as flat of a field so the center is sharp and gets softer to the sides. Different vintages have very different number of aperture blades so that will alter OOF areas when wide open.
Both the Summitar and 3.5 Elmar could be coated or not depending upon the vintage.
None are bad choices.
Shawn
Every barnack needs a 3.5 Elmar as standard equipment.
The key is to find a clean copy of whatever lens you choose. So many of them are hazy or scratched...which lowers contrast on already low contrast lenses...
The key is to find a clean copy of whatever lens you choose. So many of them are hazy or scratched...which lowers contrast on already low contrast lenses...
james.liam
Well-known
Every barnack needs a 3.5 Elmar as standard equipment.
The key is to find a clean copy of whatever lens you choose. So many of them are hazy or scratched...which lowers contrast on already low contrast lenses...
Good luck with that.
Patience is a virtue.
james.liam
Well-known
Patience is a virtue.
Might be.
But 70 years on, finding glass that isn't permanently etched by the haze or scratches is becoming a quixotic quest.
Beemermark
Veteran
There's a nice Elmar 3.5 listed for sale here CHEAP. Buy it before I do, I don't need a another one. The Summitar is a very nice lens if you get a clean copy. Almost 2 stops faster and IMHO just as good as the Elmar @ f4, just a lot bigger. Get both.
I guess I've been pretty lucky. I have an uncoated Summitar, a collapsible radioactive Summicron, and a 50/3.5 Elmar that are all scratch and haze-free. And they were all just happenstance acquisitions, as opposed to quests...
coated Summitar:
HCB has some experience with 50 3.5, he described it as totally enough for amateur.
But what does he knew about us.
Summitar is huge, soft glass which needs special adapter for protecting filter.
I think, HCB meant Summar
I sold a IIIf with 5cm Summitar to a friend not so long ago, the lens was fitted with a Leitz UV filter that screwed straight into the front threads, without any adapter. Perhaps it depends on the type of filter involved?
(Picture)
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Emile de Leon
Well-known
I received a Summar uncoated and Summitar coated basically for free back in the day...
Summar is all scratched up but takes "misty" shots...
Summitar has mint glass and is sharp..but the ratchety bokeh is not pleasant..
I like my Elmar 2.8 M the best of the 3 ..it really is one of those outstanding lenses that makes everything look great either in color or B&W.
Summar is all scratched up but takes "misty" shots...
Summitar has mint glass and is sharp..but the ratchety bokeh is not pleasant..
I like my Elmar 2.8 M the best of the 3 ..it really is one of those outstanding lenses that makes everything look great either in color or B&W.
Beemermark
Veteran
In 50 years I never had a 50mm Leica lens I wasn't happy with except the Summars. And in the few Summars I had probably they had bad coatings and/or scratched lenses or haze. But all the Elmars, Summitars, Summicrons, or Summiluxes were great lenses. Each newer generation was better than the last but each generation had it's own definitions. Asking which was best is like asking which of my daughters I love the best.
Chriscrawfordphoto
Real Men Shoot Film.
The Summitar has unusual filter threads that will not take standard filters. Leitz made special filters for the Summitar and they also made an adapter to allow the use of normal filters.
charjohncarter
Veteran
I've used a f3.5 50mm Elmar since 1964. It has never been serviced, and is still in mint condition. Funny but when I bought it I had no idea about haze, corrosion, lens separation, or coatings falling off, and these have never been a problem. My Elmar is as good as it was in 1964 and probably back to 1953. I don't need a high speed lens so it is fine for me. I also think the Barnack body is the best for film flatness and accurate register. So that little lens is sharpest of the 6 other fifties I have.
Good contrast, sharp, light, accurate f stops:
Arista 400 Premium by John Carter, on Flickr
I have no knowledge of the other two lenses mentions, which I'm sure are also very good.
Good contrast, sharp, light, accurate f stops:
Arista 400 Premium by John Carter, on FlickrI have no knowledge of the other two lenses mentions, which I'm sure are also very good.
Mr_Flibble
In Tabulas Argenteas Refero
The 50/f3.5 Elmar is a solid all-round lens. Good sharpness across the aperture range.
The 50/f2 Summitar is considerably softer at wider aperture and lower contrast lens, but that gives it some great character as mentioned earlier.
Summitar (uncoated), Fomapan 100
The 50/f2 Summitar is considerably softer at wider aperture and lower contrast lens, but that gives it some great character as mentioned earlier.
Summitar (uncoated), Fomapan 100