wilt
Well-known
I got my first Leica some weeks ago. Time for some reflection.
It is an M3, DS, recently CLA:d and with a 6 months warranty from a reputable Swedish dealer. (By coincidence, the serial number is close to, 7 numbers from the M3 bought recently by Solares Larrave.)
The camera works great! The handling is really good, I kind of like the user interface of the camera, it fits my hands. I could write lyrically about butter-smooth film advance mechanics, but that is not really the point of photography - I am a user, not a fondler. I wanted a camera that was discreet, quiet, stripped of unnecessary technology, good tactility (or what one should call it). The M3 fits most of this. Film loading is not so problematic as I thought it would be.
An added bonus with the Leica is that most people don't see me as a 'serious' photographer compared to what would happen with a modern SLR or digital SLR (I mostly do street photography and non-studio, natural environment portraits). A couple of middle aged photo enthusiasts have recognised the Leica in the street and made comments, but to the general public the camera is just any old camera.
My economy does not allow Leitz optics at the moment, so I have to make do with a set of Soviet glass. And they are quite good. However, I've been having close focus problems. After reading a lot about this issue here on this excellent forum, on photo.net and on various pages such as Dante Stella's, there seems to be different schools of thought. Some users report no focus problems when using Russian glass on Leicas/Bessas/Canons, some do.
After several shots in close range (1-2 meters) and on large apertures turned up fussy, I suspected there might be a systematic error, not just my focusing mistakes. So I did a controlled test where I shot at c. 1 meter and had a ruler laid out beside the object photographed. I shot 2 pictures each with my Industar-61, Jupiter 8 and Jupiter 9, all on maximum aperture.
All pictures were backfocused, about 10 centimeters at 1 meter. Now, it could be a misadjusted rangefinder on the camera (I haven't tried it yet with Leitz, Canon or CV glass), it could be six focus mistakes on my part in a row or it could be a systematic focus shift when using Russian lenses on the Leica. At the moment, I suspect the last hypothesis. My experience using the Jupiters on my FED 3 (no focus problems) points in the same direction. The testing will continue.
There is quite a lot written about the Jupiter 8 here on this forum, it generally gets good press. I am not sure I agree with all this.
It is a quite good lens, and the bokeh/SOFA is really nice. The price is right. But if I can't focus the lens at 2 or 2.8 and 1-2 meters, it is of limited use and I will have to look around for some other 50 lens.
Also, I could compare the lens to the three lenses I have extensive experience with (thousands of pictures): the MC Minotar 35/2.8 (Minox 35 GT-E), the Carl Zeiss Planar 80/2.8 (Hasselblad 500C) and the Zuiko 50/1.8 MIJ (Olympus OM2). While the Jupiter 8 has a pleasant look to it, I can't really say that it is better than these three lenses. Add to this the possible focus issues, and I will look for another 50.
It is an M3, DS, recently CLA:d and with a 6 months warranty from a reputable Swedish dealer. (By coincidence, the serial number is close to, 7 numbers from the M3 bought recently by Solares Larrave.)
The camera works great! The handling is really good, I kind of like the user interface of the camera, it fits my hands. I could write lyrically about butter-smooth film advance mechanics, but that is not really the point of photography - I am a user, not a fondler. I wanted a camera that was discreet, quiet, stripped of unnecessary technology, good tactility (or what one should call it). The M3 fits most of this. Film loading is not so problematic as I thought it would be.
An added bonus with the Leica is that most people don't see me as a 'serious' photographer compared to what would happen with a modern SLR or digital SLR (I mostly do street photography and non-studio, natural environment portraits). A couple of middle aged photo enthusiasts have recognised the Leica in the street and made comments, but to the general public the camera is just any old camera.
My economy does not allow Leitz optics at the moment, so I have to make do with a set of Soviet glass. And they are quite good. However, I've been having close focus problems. After reading a lot about this issue here on this excellent forum, on photo.net and on various pages such as Dante Stella's, there seems to be different schools of thought. Some users report no focus problems when using Russian glass on Leicas/Bessas/Canons, some do.
After several shots in close range (1-2 meters) and on large apertures turned up fussy, I suspected there might be a systematic error, not just my focusing mistakes. So I did a controlled test where I shot at c. 1 meter and had a ruler laid out beside the object photographed. I shot 2 pictures each with my Industar-61, Jupiter 8 and Jupiter 9, all on maximum aperture.
All pictures were backfocused, about 10 centimeters at 1 meter. Now, it could be a misadjusted rangefinder on the camera (I haven't tried it yet with Leitz, Canon or CV glass), it could be six focus mistakes on my part in a row or it could be a systematic focus shift when using Russian lenses on the Leica. At the moment, I suspect the last hypothesis. My experience using the Jupiters on my FED 3 (no focus problems) points in the same direction. The testing will continue.
There is quite a lot written about the Jupiter 8 here on this forum, it generally gets good press. I am not sure I agree with all this.
It is a quite good lens, and the bokeh/SOFA is really nice. The price is right. But if I can't focus the lens at 2 or 2.8 and 1-2 meters, it is of limited use and I will have to look around for some other 50 lens.
Also, I could compare the lens to the three lenses I have extensive experience with (thousands of pictures): the MC Minotar 35/2.8 (Minox 35 GT-E), the Carl Zeiss Planar 80/2.8 (Hasselblad 500C) and the Zuiko 50/1.8 MIJ (Olympus OM2). While the Jupiter 8 has a pleasant look to it, I can't really say that it is better than these three lenses. Add to this the possible focus issues, and I will look for another 50.