A milestone in photography
A milestone in photography
I'm really really impressed by the Leica SL.
This is the first Leica camera I would like to own, and the first digital camera i'd consider to use over a film camera. And let me put things into perspective, I'm a film camera shooter, although I also own two full frame DSLRs which I almost never use. I was also a sort of Leica hater, at least given the half-hearted, conservative products they had released in the last 42 years (that is, since the introduction of the Leicaflex SL2 camera). No more Leica hate from now on.
I think Leica did the most OBVIOUS and SMART thing a camera designer which understands commited photographers would do.
The state of the art pre-Leica SL:
Mirrorless cameras? They don't have viewfinders comparable to optical viewfinders, in magnification, resolution and quality. This one does, as far as i can read about.
DSLRs? Mirrorless cameras can mount a far wider lens variety, and have optical advantages (being able to design the lens to sit closer to the sensor gives the optical designer more freedom for correcting aberrations). They are also potentially smaller and potentially more reliable (less parts to be knocked out of alignment, less moving parts). And a bit more silent.
Modern DSLRs from Canikon? They don't support MANUAL FOCUSING, which has had a comeback since the last 10 years. What I mean is that they don't support it in a serious way. Which means a huge viewfinder with good focusing aids.
What I think the leica designers did was very very easy, in fact i think this was perhaps the EASIEST camera to design in years, at least the basic specs were very easy to infer if one wants to make a SENSIBLE, professional camera in 2015 or 2016:
- Weight? The old pro cameras of the past weighted between 700 to 900 grams. The SL is within that limit.
- Build quality should be so high it should justify the price tag. Body material should be metal and feel like it.
- It should be reliable and feel reliable
- It should have an excellent viewfinder that should not make you want to go back to an optical viewfinder
- Sensor output should be clean and rich in dynamic range, with enough resolution.
- Lens mouth size should allow a lot of freedom designing lenses, and adapters for widely available lenses should be provided.
- Full features for video production should be provided. Video quality should be state of the art for a camera in this price range. I can bet that at least half of the sales of this camera will go to the pro video people.
Lenses? For me the trio of 50/1.4, 24-90, and 90-280 is totally sensible and the logic was easy, very easy to infer:
- "Since the adapters will allow users to put all kinds of lenses in the camera, we should provide them something that is not easily avaliable in lenses today, which is... Make a zoom lens with a very useful range (24-90) which has optical quality so high, that the photographer would not wish to replace this lens with prime lenses. Optical quality extremely high including pleasing bokeh, of course." From what i see, the 24-90 is a no-holds-barred lens, it has 4 (FOUR) aspheric lenses and I can see that Leica pulled out all stops and did not try to shrink down the lens size if this was going to negatively impact performance. WELL DONE LEICA!! The OIS was just an icing on the cake.
- Same for a 90-280, i would have been happy even if they did a 90-200, which would complete an extremely useful 24-200 range, but they went the extra mile and the dimensions are not far from the 70-210/2.8 zooms all pros are using, so it's a sensible choice.
- 50mm (or 35mm, or 43mm, or 45mm...) lens should exist in all decent systems.
So with this trio, the photographer has almost anything he would need to have for 90% of optical situations. Though i would suggest to add an 90/1.8 or 90/1.4 as next release, and an extreme wideangle would be good as well. But hey, the M and R lenses are out there to cover those needs as well.
So finally, it took Leica about 50 years but they finally did it -- they aimed high, pulled all out the stops. I think you can now write Leitz camera milestones very simply:
- Original Leica: there was nothing like it.
- Leica M3: the best viewfinder avaliable in any 35mm camera up to that point, backed with excellent build quality, compactness and excellent lenses.
- Leicaflex: Up to that point the best built 35mm SLR with the most refined mechanism (although I'd contend that the Canon F-1 of 1971 comes close) and the best viewfinder, with perhaps the best lenses of their time.
- Leica SL
Between the Leicaflex and the Leica SL, i would say Leica (or Leitz Wetzlar) did nothing that was truly innovative or a product that was fully perfected in all respects and putting itself in a very favorable light compared to other product. No, it played the "niche luxury brand" game, instead of going back to the spirit of the 50s M3, or the spirit of the 70s Leicaflex --- the spirit of bringing the BEST product possible. This is not only the true renaissance of the Leica brand, but I dare to say this is the renaissance of GERMANY in cameras. This camera is state of the art, very leicaish, and very German.